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“... and masochist, male and female, that have become central obsessions of contemporary culture. Susanna Moore’s novel In the Cut, which laconically describes a ‘liberated’ woman’s fascination with sexual danger, ends in a gruesome encounter between knifer and knifed. ‘This dress is a mess,’ the killer says to his victim in distaste. ‘I ...”

“... investigating a string of particularly gruesome murders. As the film (which is based on a novel by Susanna Moore) unfolds, and the relationship is depicted in ever more lurid bedroom poses, Fran begins to suspect that the cop himself is guilty of the murders. Many people, Thomson included, think that it is Ryan’s best performance, ‘bravely naked in ...”