Search Results

“... In the feverish atmosphere that gripped Europe after the Russian Revolution, there were many who saw insurrection as a gateway to the future: 1919 brought revolutionary uprisings in Budapest, Munich and Berlin. In Germany, the newly installed Social Democratic Government bloodied its hands suppressing the revolts. Since the regular troops could not be relied on, the SPD Defence Minister Gustav Noske gave the notorious Freikorps – forebears of Hitler’s Einsatzgruppen – carte blanche to act against the insurgent crowds ...”

“... How I envied Winifred Holtby,’ wrote the novelist Phyllis Bentley. ‘Tall and fair and handsome ... that lovely speaking voice, that precision of English, that flat in London, that post on Time and Tide, those interesting wellcut clothes, that Oxford degree.’ And, she might have added, those six vivid, heartfelt novels, the last, South Riding (1936), achieving the status of a minor classic of the critical portrait-of-England genre ...”

“... Paul Lafargue drove Engels to despair. Negotiating with other French socialists over the founding of the Parti Ouvrier Français in 1881, he committed ‘blunder after blunder’ and nearly wrecked the whole thing. In 1889, charged with organising the founding conference of the Second International in Paris, he was making ‘a terrible hash of things ...”

“... All quiet on the euro front? Seen from Berlin, it looks as though the continent is now under control at last, after the macro-financial warfare of the last three years. A new authority, the Troika, is policing the countries that got themselves into trouble; governments are constitutionally bound to the principles of good housekeeping. Further measures will be needed for the banks – but all in good time ...”

“... until last and then cut off the microphone.)There’s a kaleidoscopic feel to the pages of the Ali-Watkins volume. Turn the pages in a hurry and you go from the Tet offensive in Vietnam to the strikes in Poland to the murder of Dr King and the ghetto insurrection, getting no time to take breath for les événements in France and the shooting of Robert ...”

“... is a collection of the strongest examples of the survival of that tradition. The chapters by Susan Watkins (on Nato and Russia), Régis Debray (on Nato and France) and Richard Seymour (on Nato and the UK) demonstrate its depth. But this is marginal dissent all the same. The alliance’s official motto – ‘animus in consulendo liber’, ‘in ...”

“... value in returning to these early modern women is to see more clearly the deep roots of what Susan Watkins calls ‘anti-discrimination feminism’ – the kind of feminism that looks at the status quo and asks only how the best-off women can get a foot in the door.Penaluna is aware that not everyone will identify as she did with the four women she ...”

“... addition to Bradbury’s invented personages the conferees include Martin Amis, Günter Grass and Susan Sontag (she skips one of the later conferences in the narrative, on the grounds that there is something more interesting going on in Northern Italy). Bradbury’s Villa Barolo is funded by the American Magno Foundation – offspring of an empire enriched by ...”

“... lit-crit wing, that is insular, coy and monochrome (only one black feminist academic, Gloria Jean Watkins – ‘bell hooks’ – and only one black writer of an earlier generation, Zora Neale Hurston, appear, and these only briefly). A pity this, since Showalter is probably right to regard herself and her sister critics as representative of the late ...”

“... a damn. But this man happens to suck mine better than anyone I have ever found in the world’ (Watkins v. US Army and related testimony). In one of the book’s most engaging and original chapters, Nussbaum argues that certain forms of objectification of other people’s bodies might enhance sexual encounters without degrading or demeaning any partner to ...”

“... not feel it yet. Might not know it yet, except you did. ‘A new class of lifetime pariahs’, Susan Sontag called them in Aids and Its Metaphors: ‘the future ill’. The artist and film-maker Derek Jarman remembered his HIV diagnosis, in 1986: I thought: this is not true, then I realised the enormity. I had been pushed into yet another corner, this time ...”