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“... operas, here traces the allegedly strong Aeschylean influence on Wagner, while Furness and Martin discuss Wagner’s influence on others: but all three are too little concerned with the peculiar nature and conditions of Wagner’s own musical-dramatic achievement. Why do so many musical terms, like ‘composed’, ‘resolve’ or ‘tonic’, also ...”

“... stages of nature as they have changed through the successive periods of British prehistory. David Stoddart’s conclave of geographers engage in a philosophical exploration of geography itself. It is always a pleasure to find a tribute to the schoolroom. Richard Muir was fortunate to have an inspiring teacher who contrived to overcome ‘the tedious O and ...”

“... his stardom because few knew he had a squeaky voice, but several other on-field heroes – A.E. Stoddart, William Scotton, Arthur Shrewsbury – killed themselves after their careers ended, unable to cope with the loss of fame and/or money. Audiences demanded swagger in music too, forcing that poor ambitious provincial Edward Elgar to respond with ‘Land ...”