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“... everyone was sympathetic to forms of woe – especially to deformities. In Cruelty and Laughter, Simon Dickie mounts a compelling case against what he calls ‘the politeness-sensibility paradigm’, by resurrecting a jeering counter-discourse that revelled in human suffering and physical affliction. His point about the sentimental 18th century is ...”

“... boats from nostalgic black and white photographs. It was an unoptioned metaphor with its own poet, Simon Armitage, hired to knock up a thousand-line tribute. Time drifted. The 12 minutes of the virtual reality journey in the brochures was actually the time between trains, the time spent enjoying the strange termini in which potential travellers are ...”