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Miserable Creatures

C.H. Sisson, 2 August 1984

The Collected Letters of Thomas Hardy. Vol. IV: 1909-1913 
edited by Richard Little Purdy and Michael Millgate.
Oxford, 337 pp., £21, March 1984, 0 19 812621 2
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The Letters and Prose Writings of William Cowper. Vol. IV: 1792-1799 
edited by James King and Charles Ryskamp.
Oxford, 498 pp., £48, March 1984, 0 19 812681 6
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The Land and Literature of England: A Historical Account 
by Robert M. Adams.
Norton, 555 pp., £21, March 1984, 0 393 01704 4
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The Complete Poetical Works of Thomas Hardy. Vol. II 
edited by Samuel Hynes.
Oxford, 543 pp., £35, June 1984, 0 19 812783 9
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... differently. He was convinced that he should have committed suicide years before. God, he wrote to Samuel Teedon in 1794, ‘considers me as a traytor, and acts towards me as he does, for that reason’. ‘I can hope nothing – believe nothing – I am and have long been the most miserable of the human race, and he knows it. Knows how ardently I wish that I ...

Squalor

Frank Kermode, 3 February 1983

Gissing: A Life in Books 
by John Halperin.
Oxford, 426 pp., £18.50, September 1982, 0 19 812677 8
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George Gissing: Critical Essays 
edited by Jean-Pierre Michaux.
Vision/Barnes and Noble, 214 pp., £11.95, March 1981, 0 85478 404 7
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... a commodity, and writers mere ‘hands’. If he is worth reading it is not as an act of what Samuel Hynes calls ‘Victoriolatry’ but because he did make a world, and because, as he sometimes remarked, he could see the future. He wrote thirty-odd books, including a good one about Greece, a good one about Dickens, and the fantasised ...

Sounding Auden

Seamus Heaney, 4 June 1987

... as a ‘strict and adult pen’. Elaborating on this, in his introduction to The Auden Generation, Samuel Hynes characterises the sought-after new art as follows: ‘Auden was urging a kind of writing that would be affective, immediate, concerned with ideas, moral not aesthetic in its central intention, and organised by that intention rather than by its ...

The Past’s Past

Thomas Laqueur, 19 September 1996

Sites of Memory, Sites of Mourning: The Great War in European Cultural History 
by Jay Winter.
Cambridge, 310 pp., £12.95, September 1996, 0 521 49682 9
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... be a four-year-long bloodbath: Never such innocence, Never before or since. And, more recently, Samuel Hynes’s magisterial A War Imagined (1990) argues that the generation of poets, painters and novelists who lived through the war ‘rejected the values of the society’ that had sent them to fight and rendered their ‘sense of a gap in ...

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