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“... of local amateur dramatic societies as representative characters from each of Shakespeare’s plays. This is Stratford-upon-Avon on the weekend after 23 April, a day celebrated since the 18th century as Shakespeare’s Birthday. As Park Honan’s impressive new biography reminds ...”

“... who inspired Thomas Harris to invent the character Jack Crawford in the Hannibal Lecter novels, so he should know. This is the psychological portrait Brussel came up with of the Mad Bomber: He’s symmetrically built … neither fat nor skinny … a co-operative worker … punctual and neatly dressed … a virgin ...”

“... As I was reading Stephen Greenblatt’s biography of Shakespeare on the train there was a woman sitting near me doing a deal on the phone. She was getting agitated. ‘But I have to transfer the money to Mr Shakespeare himself,’ she said. ‘No … Listen, I really need to speak to Mr Shakespeare. Can you put me through? Hello? … Hello?’ Then the line went dead ...”

“... Shakespeare one gets acquainted with without knowing how. It is part of an Englishman’s constitution.’ Henry Crawford’s comment in Mansfield Park is a reminder that ‘Shakespeare’ is more than an individual writer: ‘it’ is an institution, a body of texts whose study, from O-level to the highest reaches of academia, is a means of legitimating social advancement and whose production on the stage and on television makes a powerful contribution to Britain’s invisible exports ...”

“... of bardicide. You might object that he inherited these oppositions from history. But of Plutarch’s two accounts of ‘the murder of Cinna’, only one even mentions, in passing, that the victim was ‘a poet’. Given a choice, Shakespeare chose to make Cinna a poet. He also chose to dramatise this superfluous episode. In inserting this scene and insisting ...”

“... parish and corporation records of Stratford for the surviving documentary traces of Shakespeare’s family, and in the process found the only extant item of his personal correspondence, a letter to him from his neighbour Richard Quiney; Malone who found what remains the only known copy of the 1594 first quarto of Venus and Adonis (and later bequeathed ...”

“... The subtitle of James Shapiro’s engaging new book is a tease. Shapiro, the author of 1599: A Year in the Life of William Shakespeare (2005), is in no doubt that William Shakespeare of Stratford-upon-Avon is the author of the works published in his name: not Sir Francis Bacon, or Edward de Vere, Earl of Oxford, or Christopher Marlowe, living on in secret after his apparent death in a brawl in 1593 (before most of Shakespeare’s works were written), or one of the more than 50 alternative candidates who have been proposed since the mid-19th century ...”

“... speculatively ‘onomastic’ paragraph, in which he fools around with the names of Shakespeare’s children, with the words: ‘The whole of this paragraph is very unsound.’ Here is an example of candour rarely matched by Shakespeare’s biographers. Any biography of Shakespeare has to mix conjecture with established ...”

“... insults, though mostly in gentlemanly prose. For learned disputes had gentlemanly antecedents, and so had learned fabrications; even Thomas Warton was guilty, and he was the author of the standard History of English Poetry, a work some Shakespeare hunters saw as a model for their much desired history of English drama. The deceits practised by the 19th-century ...”

“... In 1964, the quatercentenary of Shakespeare’s birth, two very different books appeared. Anthony Burgess’s tribute to the poet, Nothing Like the Sun, was a boisterous biographical novel full of sugared sack and bawdry, with sombre undertones of decay. Taking literally the references in Shakespeare’s sonnets to a mistress ‘black as hell’, Burgess made the Dark Lady of his story a voluptuous East Indian who, after seducing the dramatist, inspired the tragic plays of his maturity by giving him a dose of syphilis ...”

“... romances’? The very terms by which scholars habitually refer to Pericles, The Winter’s Tale, Cymbeline, The Tempest, All Is True (Henry VIII) and The Two Noble Kinsmen, all composed between about 1607 and 1613 – between Shakespeare’s 43rd year and his 49th – compound the issue of genre with questions of ...”

“... credible or interesting survived the poet: but one can be found in an additional note to Aubrey’s Brief Lives, which recalls him as ‘the more to be admired q[uia] he was not a company keeper, lived in Shoreditch, wouldn’t be debauched, and if invited to, writ: he was in pain.’ This sounds true in more than one way; perhaps Shakespeare did suffer from ...”