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“... Two photographs in The Roy Strong Diaries 1967-87 sum up his achievement as museum director: ‘The National Portrait Gallery before, and after’ – before and after, that is, the ‘reign’ (his word) of Strong. The first is a predictably gloomy view of a classically old-fashioned museum: wood-block floor, two benches in the centre of the gallery, paintings crammed onto the walls (20 assorted 17th-century portraits are visible in this shot alone), and no trace of an information panel beyond the tiny labels perched under each picture ...”

“... It is difficult not to admire Roy Strong, though there are moments in this account of his first 32 years where he seems to be doing all he can to make it easier. Born in 1935, he became in 1967 the youngest ever director of the National Portrait Gallery. It was a remarkable achievement, but by mentioning it three times in the first seven pages Strong begins at an early stage to try the reader’s patience ...”

“... acknowledgment that the whole thing is an absurd sham. In his preface to the exhibition catalogue, Roy Strong – who is keen to remind us that he curated the first major Beaton retrospective, at the National Portrait Gallery in 1968 – tells us that Beaton was ‘an ambitious, complex, vain, observant and deeply patriotic man’. The last quality, if ...”

“... reading is, of course, the chance to see and hear David Starkey cheek by jowl with Zadie Smith, Roy Strong, Terry Jones, Michael Holroyd and all the other writers showcasing their various talents this year. Such events certainly seem to be increasing rapidly in number and variety. Cheltenham and Hay-on-Wye (Tony Benn: ‘In my mind, it has replaced ...”

“... distinction. In Reformation studies, the trend of the past generation has been away from seeing a strong tide of popular feeling in favour of Protestantism, and towards a stress on the view that the Reformation was imposed from above. This has recently gone so far that Professor Scarisbrick was able to write a book on The Reformation and the English People in ...”

“... has turned to autumn: the creeper has withered and the sunshine faded. The death toll recorded by Roy Strong, Marcus Binney and John Harris in The Destruction of the English County House tops nine hundred, and few writers set contemporary novels in country houses as they did only a generation ago. One gratifying consequence is that it has finally become ...”

“... decades of the 20th century, when, thanks to the pioneering scholarship of James Lees-Milne and Roy Strong, Larkin’s identity was established and his oeuvre began to be reconstructed, paintings such as those in the Suffolk Collection were often referred to as ‘carpet and curtain pictures’ and attributed, for want of a better name, to the ...”

“... shares with the curators she has ‘otherwise accommodated’. She also shares it with Sir Roy Strong (her predecessor), Sir John Pope-Hennessy (Sir Roy’s predecessor), Sir Ernst Gombrich, Professor Michael Jaffé and Denys Sutton, to name only the most eminent among those British art historians who have ...”

“... English (which must be more than half of them), students from unlettered backgrounds are at a strong disadvantage. The great selling-point in Leavis’s system was that, on the novel in particular, he was ruthlessly selective. Gone was the eclecticism of turn-of-the-century scholars like George Saintsbury and Oliver Elton, and of surveys like the ...”

“... representation’. One is reminded of the argument of the late Frances Yates, popularised by Sir Roy Strong, about the replacement of the image of the Virgin Mary by that of the Virgin Queen. This brief summary does less than justice to the richness of Greenblatt’s interpretation, or to his skill in interweaving 16th-century texts – Reginald ...”

“... Oskar Kristeller. I will go so far as to say that the idea of the Renaissance was big enough and strong enough to do without the rejuvenating serum administered to it, with the best of intentions, by these two excellent historians. In fact, it is economic history that has given the Renaissance a new vigour. It now appears, after 30 or 35 years of intensive ...”

“... Here, with the cloud of a six-figure advance trailing behind her, comes Arundhati Roy: May in Ayemenem is a hot, brooding month. The days are long and humid. The river shrinks and black crows gorge on bright mangoes in still, dustgreen trees. Red bananas ripen. Jack-fruits burst. Dissolute bluebottles hum vacuously in the fruity air ...”

“... was summoned across Whitehall from my office in the Ministry of Defence to see the Home Secretary. Roy Jenkins rose from his chair and said: ‘Well, it’s all over, Callaghan is appointing Crosland.’ He nodded to a handwritten envelope addressed to the President of the French Republic. I knew that it contained a letter declaring his willingness to become ...”

“... Emmanuel Le Roy Ladurie is probably the cleverest and certainly the most versatile French historian of our day. Beginning with his thèse on the peasants of Languedoc in Early Modern times, he has ranged back to the everyday life of 14th-century heretics and forward to computers studies of 19th-century conscripts ...”

“... surely be central to architecture – like justice to law or health to medicine. The point is a strong one, and Professor Rybczynski duly piles it on. Bitterly deprived by his own education, he can only write from a position of ‘ignorance’. As he sets out to discover the ‘meaning of comfort’, he is at pains to differentiate his own ecological ...”