At the Movies
Michael Wood: The films of Carol Reed, 19 October 2006
“... Johnny to the church rather than the police, and a struggling artist (ludicrously overplayed by Robert Newton) drags Johnny back to his room in order to paint him, hoping to ratchet up a failing talent by catching the light in a dying man’s eyes. This is where things go half-baked. In Johnny’s delirium, pictured as a J. Arthur Rank version of ... ”