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“... Robert Henryson is the most likeable late medieval author after Chaucer. He wrote with a directness, a lightly carried learning and a lack of sentimentality hard to match anywhere in the British Isles at any date. A late and sadly unreliable anecdote conveys something of his style. Francis Kynaston reported in the early 17th century that when Henryson was dying of diarrhoea (probably around 1500) a cunning woman told him to go and circle a rowan tree chanting ‘whikey tree, whikey tree, take away this flux from me ...”

“... High’s Latinate period, which – though the school was an ancient foundation and claimed Robert Henryson, the ‘Scottish Chaucer’, among its early masters – occurred circa 1935. The headmaster, whom I encountered face to face only once, had MA Cantab after his name and wore a black cloak that, though every teacher had one, gave him an ...”

“... Tale’, the emphasis being rather on love’s ethical or horrible implications. Sometimes, as in Robert Henryson’s Testament of Cresseid, both are treated in the same poem. The Testament is explicit in its challenge to Chaucer: ‘Quha wait gir [Who knows if] all that Chauceir wrait wes trew?’ It takes Cresseid – Chaucer’s Criseyde – beyond ...”

“... in the opposite direction to Helen, leaving Troilus, her Trojan love, for Diomedes the Greek. Robert Henryson picks up the story where Chaucer left it: in The Testament of Cresseid, he introduces into the story of punitive, divine revenge an unusual depth of tragic pity for the hussy.* The character of Penelope also provides a counter-model and ...”

“... treated his heroine without mercy. In The Testament of Cresseid, a sequel by the Scots poet Robert Henryson, Cresseid is reduced to prostitution and – by counsel of the gods – stricken with leprosy. Chaucer borrowed the plots of both ‘The Knight’s Tale’ and Troilus and Criseyde from Boccaccio, who was still alive during his first trip to ...”

“... Pluto sat doune, And in his handis quhyte his harp can ta …            Henryson, ‘Orpheus and Eurydice’ The day you died I stared up at the grey Dome of St Paul’s, then caught the sleeper north, Dourly imagining your own departure From London as your last, pained way to stay Elusive, Mick, Oxonian Aberdonian, Sly Doric fitted ...”

“... than thirty men’. Then follows a remarkable passage: ‘Among the neglected men I have found Robert Bage, Henry Brooke, John Bunyan, Geoffrey Chaucer, Thomas Delaney [sic], Emanuel Ford, William Godwin, Richard Graves, Robert Greene, Robert Henryson, Charles Johnstone, Charles ...”

“... here. More than two hundred years later, this sense had not yet faded; with a cheeky rhyme, Robert Burns attributed such devices to the devil: ‘Then you, ye auld, snic-drawing dog!/Ye came to Paradise incog/An’ play’d on man a cursed brogue.’ By the time Burns was writing, ‘brogue’ also commonly described ‘a rude kind of shoe generally ...”

“... spangles of diamonds, / a sparkling cover for earth’) to the carnivalesque Scots of Robert Fergusson, who hymns ‘Caller Oysters’ and harangues ‘the Principal and professors of the university of St Andrews, on their superb treat to Dr. Samuel Johnson’. When Fergusson rounds on his former teachers he subjects their Scotophobic guest to a ...”

“... still rich in hints of the life savoured by its great authors, from Dunbar to Norman MacCaig and Robert Garioch. The heyday of its literary, cultural and philosophic life lasted for a hundred years to the death of Scott and left its mark on Europe and America. An ancient city, a capital, with authors of all kinds, from Gavin Douglas to James Boswell to Annie ...”

“... Sprinklings of pseudo-Hebrew here and there added to the mystique. When the former army chaplain Robert Bacon visited the ‘Shakers’ God’, John Robins, in London in around 1650, he found Robins sitting on a bed before his disciples speaking in tongues: ‘But the words he spake I did not understand, only they seemed to me to be a mixture of Latin, and ...”

“... poetry today’ – should have told John Haffenden in an interview for Viewpoints that he found Robert Frost’s fable of imagined unlived lives, ‘The Road Not Taken’, exemplary. If Fenton’s distinction between the narrative kinds is just, so is the note of regret and rebellion that he strikes in the phrase ‘deliberately excluded from ...”

“... in Scots, others in a language of Hogg’s own invention, a factitious, Chattertonian version of Henryson. There is a strangeness about some of these poems that recalls the self-consciousness of Hogg’s best fiction; for example when he interrupts himself, as he does in two different poems, to discuss the meaning and success of his own extended similes, or ...”

“... Partisan Review, the Kenyon Review and Sewanee Review, with a good deal of auto-canonising. Robert Lowell, almost by default it seemed, was ceded pride of place, the ‘most important American poet now at work’. Lowell and Randall Jarrell, roommates at Kenyon College in the 1930s, and to a lesser extent Berryman too, were big on rating and ...”