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“... This rescue was carried on by Marion Stocking, and has now been triumphantly completed by John Gittings and Jo Manton. They have not much to add to the familiar part of the story – Claire’s life with the Shelleys until the poet’s death, at the age of 29, in 1822. It is in their account of Claire’s long, tough life after Shelley’s death – nearly ...”

“... biographies of Keats appeared within a short time: W.J. Bate’s and Aileen Ward’s in 1963, Robert Gittings’s in 1968. Each is still very useful; all were admirable, if in different ways. W.J. Bate, who had been interested in Keats ever since he wrote his undergraduate thesis on the poet in 1939, paid special attention to Keats’s stylistic ...”

“... During my solitary evenings I have been reading the two volumes of Thomas Hardy’s biography by Robert Gittings. I have just finished it and this recalls to me Hardy’s funeral at Westminster Abbey, which I actually attended. Or rather the funeral of most of him: his heart had been left behind in Dorsetshire. I suppose I was one of the ...”

“... the way’, since his help was not worth the cooking of his meals. The wholly admirable account by Gittings and Manton brings out even more effectively than their previous biographies the texture and development of these famous lives. To read them on the relationship of William and Dorothy with Coleridge and their other friends is to see these things as if for ...”

“... but rather with the alleged critical assassins: Carl Weber (‘a boorish vulgarian’), Robert Gittings (‘unscrupulous’), Richard Purdy (‘incapable of psychological insight into sexual matters’) and Michael Millgate (‘prim’), the devoted Hardy scholars who have given us studies of the work, an edition of the letters and several ...”

“... difficult terrains in any case) than there appeared in 1978 The Older Hardy, the second volume of Robert Gittings’s biography, which had the effect of vindicating, exhaustively and unforgivingly, Edward Clodd’s epitaph. Ever since, the Trade Union has been on the defensive. The first move was to prefer to ...”

“... spoke of his messiah complex and noted his ‘sharp eyes looking out of the same austere mask’. Robert Payne (a profound observer of wartime China, whose books are now forgotten) described Chiang’s face as ‘always the same: calm, detached, unemotional’. The problem has always been how to penetrate the mask. Early contemporaries speak of Chiang’s ...”