Search Results

“... Two months after Tennyson’s death Burne-Jones was reluctantly following the instructions of the poet’s widow and son in repainting the portrait of Tennyson as a young man which now hangs in the National Portrait Gallery. Emily Tennyson had never liked the picture, perhaps in part because she also disliked Edward FitzGerald, who had originally commissioned it from Samuel Laurence ...”

“... When he first heard of William Morris’s death, Wilfrid Scawen Blunt wrote in his diary, ‘He is the most wonderful man I have known,’ then added more equivocally: ‘unique in this, that he had no thought for anything or person, including himself, but only for the work he had in hand.’ This handsome new edition of Morris’s letters does not entirely answer our natural question of how a man so often apparently unmoved by other persons should have had the explosive creative energy to become famous as poet, artist, decorator, printer, manufacturer and socialist ...”

“... For three centuries Rochester has been in and out of the pantheon of English poetry, but today we can see more clearly that the romantic image of the lyrical libertine who underwent a spectacular deathbed conversion has obscured a major poetic talent. Not that the old picture was wrong, but it was partial. The trouble has been that it is hard to fit his philosophical and religious beliefs, poetic practice and dissolute life into a whole ...”

“... in the museum of the past. So many Victorian things do; it seems a feature of that epoch. R.B. Martin’s skills as a biographer, already manifest in his detailed and persuasive studies of Tennyson, FitzGerald and Charles Kingsley, are at their best in that rich Victorian ambience where religion, art and sex mingled in an unself-conscious totality. He ...”

“... is sui generis in the same way. It also seems to stand outside its author. Although Professor Martin does the best that can be done with him, FitzGerald was not, from the literary point of view, a particularly interesting man. He lacks the artistic quiddity of even such minor Victorian figures as Coventry Patmore or Francis Thompson. He is cousin to ...”

“... like Blake or Ginsberg, a poet for the wild Sixties. A provocative spin was given to the debate by Robert BernardMartin in his Tennyson: The Unquiet Heart (1980). Martin traced the Tennysonian gloom back to the fear of stigmatising illness. Young Alfred’s formative years, according ...”

“... Robert Martin’s book is not one of those literary biographies that reshuffle a familiar narrative and perhaps add a few bits of new information or conjecture. It is a full-scale life, founded on primary sources, many of them previously unpublished. As the first major biography since Hallam Tennyson’s pious memoir of 1897, it has obvious importance ...”

“... any fighting unit. In the Great War the Second Battalion of the Royal Welch Fusiliers could muster Robert Graves (Good-bye to All That), Siegfried Sassoon (Memoirs of a Fox-Hunting Man, Memoirs of an Infantry Officer) and Frank Richards (not, as some have supposed, the creator of Billy Bunter but the author of Old soldiers never die, an excellent view of the ...”

“... Since I am about to comment on other people’s published reactions to Martin Amis’s novel Other People, it seems right to state in summary form my own feelings on the main matters that divided the reviewers. I thought it a remarkable work, highly readable and enjoyable, not incomprehensible or unduly difficult ...”

“... of the shipwreck so briskly dealt with in the two recent biographies of Gerard Manley Hopkins. Robert BernardMartin’s book, published last year, summarises the information in two competent pages. In Norman White’s Hopkins: A Literary Biography his comments on what happened, scattered passim through the relevant ...”

“... ruins became teaching aids in a series of lectures on the sinfulness and transience of tyranny. Robert Hillenbrand’s meditations on Eastern ruins may similarly lead his readers to thoughts of mortality and transience. Many of the buildings he studies in Islamic Architecture have an overt function – whether prayer, teaching, interment or pleasure – yet ...”

“... Arab Peoples. When that book was published in 1991 it was strongly criticised by Daniel Pipes and Martin Kramer for presenting Arab history as largely a matter of continuities, negotiated accommodations and glowing cultural achievements, underplaying the wars, factional fighting, despotism, religious bigotry and poverty. In a review in the TLS, I took much ...”

“... In Martin Scorsese’s Casino, Ace Rothstein (Robert De Niro) remarks that Las Vegas is about ‘selling people dreams for cash’ and, in a memorable elaboration of this cliché, that ‘it does for us what Lourdes does for hunchbacks and cripples.’ Much the same has been said about the culture of cinema, and how Scorsese’s film stands in relation to its subject is an interesting question ...”

“... to have been generally neutral, and sometimes hostile. Frank Kermode recalled (in an LRB review of Martin Amis’s Koba the Dread) that he knew several intelligence officers who thought it would be no bad thing if the Russians were defeated while serving to wear down German military capability. Up until the German invasion the SIS had agents in place in Moscow ...”

“... trauma, psychological numbing, amnesia, insomnia or other forms of automatic arousal. Readers of Robert Graves, Siegfried Sassoon or Pat Barker should not be surprised that this description of PTSD turns out to have a strong resemblance to the description of shell-shock that has become part of the modern literary tradition: the psychiatrists are, after ...”