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“... Richard SennettA few years ago, Michel Foucault and I discovered we were interested in the same problem, in very different periods of history. The problem is why sexuality has become so important to people as a definition of themselves. Sex is as basic as eating or sleeping, to be sure, but it is treated in modern society as something more ...”

“... For the last thirty years Richard Sennett – urban sociologist, historian, novelist – has been meditating on the culture and ecology of industrial cities: on how they evolved, on how their physical organisation and social structure related to the psychological and moral experiences of their inhabitants. More pointedly than his previous books, The Conscience of the Eye, he says, aims to show the interactions between the ‘architectural, urban planning, public sculpture, and the visual scenes of the city’ and its ‘cultural life ...”

“... not written into any contract: self-respect, stability, social standing. Work is ‘a road’, as Richard Sennett once wrote, ‘to the unification of the self’. Except that it doesn’t usually end up like that, which is the reason the next page of the Guardian has Jeremy Bullmore, a sage and doleful-looking ‘agony uncle’, fielding people’s ...”

“... merely of order, but of an expressive energy which makes order and freedom itself worth having? Richard Sennett believes that it is. As he has explained in what he has written about Chicago and about the bewildered self-contempt of blue-collar workers in Boston in the late 1960s, and as he has most elaborately argued in The Fall of Public Man, ...”

“... to cost those who offer it so little and benefit those who receive it so much. ‘Why, then,’ Richard Sennett asks, ‘should it be in short supply?’ Though Sennett frequently defines such scarcity as a lack of ‘mutual respect’ – as if none of us, no matter who we are, gets enough of it – a good many of ...”

“... pastoral, with encounters taking place in an orange grove or in a tent pitched at will. In Richard Sennett’s study of bodies and cities in Western culture, flesh and stone are similarly inimical to one another, as the hint of a wound in the title suggests; stones build enclosures, which imprison the flesh as well as give it shelter. But since ...”

“... size. The architect the duke commissioned was Pierre-François Fontaine, and it is the premise of Richard Sennett’s attractive novel that he chose for his assistant a young Englishman who was just finishing his studies at the Ecole des Beaux-Arts. Frederick Courtland was the son of an architect who had learned his profession under the comfortably ...”

“... urban safari park, I was robbed at knife point in Brixton. The frog who dared to croak is Richard Sennett’s first novel and umpteenth book. Like other philosophers (Russell, Wollheim, Scruton, Koestler), he evidently sees fiction as something he ought to chance his arm at, once at least. I’m no judge, but his social-philosophical writing ...”

“... is social, not scholarly. Not that these categories can confidently be thought distinct. When Richard Wollheim and I agreed to do a double act at a lunchtime university seminar we were surprised to find that a very large number of people had turned up with their sandwiches: but they hadn’t come just for the company, and there were plenty of acute ...”

“... the carcasses. Both types of work exact a physical and psychic toll, what Jonathan Cobb and Richard Sennett call ‘the hidden injuries of class’. On the kill floors, most workers are ‘at-will’ employees and can be fired at any time. In 2019, the annual turnover in many Texan slaughterhouses was 100 per cent.The ethnographer Timothy Pachirat ...”

“... against suburbia, and a fortiori against sprawl, is that it abets segregation. Cities, if Richard Sennett is to be believed, are places where you are forced to learn tolerance and explore difference, whereas sealed in your car between home, mall and corporate campus you can hate away to your heart’s content. Bruegmann’s answer is that most ...”

“... responses – perhaps the price of that ‘authenticity’ which Lionel Trilling discussed and Richard Sennett deplores. Even John Burrow, to whom Kenyon pays a handsome tribute, shows these influences. The prose of the much celebrated A Liberal Descent is not routinely ‘readable’. It is often intricate and elusive like G.M. Young’s. It explores ...”

“... grand head-on, Neoclassical façades for simple reproduction (see, for example, the magnificent Richard Pare collection, Photography and Architecture 1839-1939)? Photography would then be co-operating in the actual construction of the newer buildings, angling into dimensions of built space that our ordinary human bodies have little daily commerce ...”

“... Father as a book of elegies lies in its exploring of what has been called in another context (by Richard Sennett in his book Authority) ‘bonds of rejection’: the way a person continues to be determined by forces or people who have consciously been thrown off. The structures underlying the emotions need not change just because the emotions now bear a ...”

“... the interval I stood in line for the men’s room with the philosopher Tom Nagel, the sociologist Richard Sennett, the poet Fred Seidel and the conservative sage William Buckley. I suppose Brendel’s intellectual and technical mastery is about the only kind to which sensible people of almost every description want to pay tribute, even if to do so ...”