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“... Bless you’ was Ivor Richards’s characteristic farewell in his last years, an envoi which never failed to convey the careful omission of ‘God’. Yet it also recalled, because what he said, though not what he wrote, was often highly allusive, his choice in life of                     Whatever most can bless The mind of man or elevate a rhyme ...”

“... the virtual extinction of original English music for more than a hundred years’. Richard Luckett will have no truck with cultural snobbery of this sort, even if he fastidiously forgets ‘Hallelujah’ when he writes that in ‘For now is Christ risen’ Christ is ‘named for the first time in Messiah’. His quirky, learned, acerbic ...”

“... making’ of Sir Arthur Bryant’s three-volume life – that is, a sort of apprentice Pepys only. Richard Ollard’s Pepys (1974) is less strangely proportioned from this point of view, but again there is a deliberate attempt to set the familiar Pepys in a context of broader aspiration and achievement. Much of the new Companion volume rehearses the findings ...”

“... freedom of register was partly a result of his squirearchical background: he was a descendant of Richard Empson, a loathed minister of Henry VII, and grew up in a manor house in Yorkshire. He read maths and then English in the Cambridge of Wittgenstein and Bertrand Russell, but the biggest influence on him was his supervisor, I.A. Richards, who advocated ...”

“... Richard Ford’s narrator, Frank Bascombe, quit serious writing to become a sports-writer. This was the making of Ford. It wasn’t until he became Bascombe, the sportswriter, that Ford turned himself into a major novelist. At odd moments in The Sportswriter, Frank looks back on his abandoned literary career. He had published a ‘promising’ collection of stories, Blue Autumn, and had then started on a novel which he never finished ...”