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“... and Ezra Pound, for example, at much 16th-century Italian art. In the Introduction to his book Richard Goldthwaite writes that it is an ‘enlargement of Jacob Burckhardt’s classic – and much-debated – vision of Renaissance Italy as the birthplace of the modern world’. But he takes no interest in the discovery of pagan antiquity, the natural ...”

“... in the Renaissance? It’s a problem many historians have tried to solve. The latest is Professor Goldthwaite, an old Florentine hand who has moved from a study of the ways in which the Florentines made their money to a study of the ways in which they spent it. ‘Never show off your wealth,’ the Florentine citizen Giovanni Morelli anxiously advised his ...”

“... Pazzi and Rucellai families of their position as clients of the Medici. Some contributors, like Richard Goldthwaite (on consumer demand) and Bill Kent (on ties of neighbourhood), write well about topics on which they have already written elsewhere. Others break new ground, notably Ronald Weissman on ‘Mediterranean Values and Renaissance ...”

“... be writing the history of art? Three recent books bear on these issues. The Seicento specialists Richard Spear and Philip Sohm have put together Painting for Profit: The Economic Lives of 17th-Century Italian Painters, which explores what new co-ordinates one current academic strategy has to deliver; while two treatments of Caravaggio, by Andrew Graham-Dixon ...”