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“... Richard Flanagan trained as a historian, and his novels have often emphasised the redemptive power of memory. For his characters, though, remembering is a strenuous business. There are traps to be avoided and barriers to overcome – an obstacle course of crying jags, guilt-ridden stupors, deathbed hallucinations ...”

“... we had determined weeks before the Demidenko affair reached its final phase to give the prize to Richard Flanagan, for his magical-realist investigation of Tasmania’s history, The Death of a River Guide. Helen Demidenko published her novel, The Hand That Signed the Paper, in 1994, when she was 23. She claimed that, like the narrator of her book, she ...”

“... bark their way ashore through the rushes. That’s how I felt reading the Tasmanian novelist Richard Flanagan’s Booker Prize-winning and almost universally adored (some reviewers reached for their Tolstoy; others forbade any comparisons at all) Narrow Road to the Deep North: watching tourists hoaxed by polystyrene. It used to be that a novel would ...”

“... we would do well to consider the benefits of continuing to live with the ‘problem’. For Owen Flanagan, belief in a soul means believing that a person is an immaterial mental essence attached to, but independent of, a body. Without such a conception, he thinks that religious belief must founder; but he also thinks that a version of the same belief ...”

“... who changed, even further, the concept of what sculpture might be. Among such artists were Barry Flanagan, Richard Long, Bruce McLean, Gilbert and George and others. Many of these people disliked each other. While their individual careers developed they found that they could not teach in the same studios. By the early ...”

“... are essentially not about the past, but about the retrospect to it of some subsequent present. Richard Overy’s The Morbid Age demonstrates another, and less indirect, approach to the emotional texture of the past: the difficult excavation of contemporary popular reactions to what was happening in and around people’s lives – one might call it the mood ...”

“... Spaniards found, of what quality soever. Torture may be used in prosecuting this enquiry.’ Sir Richard Bingham, Governor of Connaught, proudly claimed to have disposed of 1,100 survivors, virtually all ‘put to the sword’, and they unarmed. It is some comfort to know that Medina Sidonia reached home, coming into Santander on 21 September, his flagship ...”

“... making ambitious claims for the importance of the work and explaining his choice of title. Next, Richard Shone, an associate editor of the Burlington Magazine, perhaps best known for his scholarly work on the Bloomsbury Group, gives a detailed chronicle of the careers of the artists, whom he describes as loosely ‘entwined’ in a single history. He sees ...”

“... to that king of the métier Leo Castelli, he was ‘a superb dealer’; among leading artists, Richard Hamilton says that ‘Robert’s was the best gallery I knew in London,’ Ellsworth Kelly that ‘he was a very courageous and flamboyant dealer,’ Claes Oldenburg that ‘Robert really had an eye for draughtsmanship. Very few dealers have.’ He also ...”

“... with a civil defence warden cadging a light from a cab driver, followed by a shot of the statue of Richard I flourishing his sword outside the Houses of Parliament. It was a huge success, both in the States, where it was seen by Roosevelt at a private screening, and when later released in Britain. Heart of Britain followed, a montage which features the ...”

“... Robert Hass and Robert Pinsky, but the most important new acquaintance was the novelist Thomas Flanagan, who later wrote The Year of the French. ‘When I landed in California,’ Heaney says, ‘my head was still basically wired up to English Literature terminals … When I left, thanks mostly to Tom’s brilliantly sardonic Hibernocentric thinking, I was ...”