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“... extinction. Back in 1975, Spens replaced Peter Townsend as editor of Studio International with Richard Cork. Townsend went on to found Art Monthly in 1976 with Jack and Nell Wendler. Under Townsend, James Faure-Walker had been a contributor to Studio International. Cork made his copy less welcome and Faure-Walker ...”

“... is also meant to be a piece of advocacy. This creates a problem over writing a preface about Richard Long. He has too many admirers. A quarter of a century has passed since he began to gain an international reputation at about the time he left art school, and this reputation has steadily grown upwards and outwards. Mounting stacks of books, catalogues ...”

“... him through university died, and a landscape painter because he could afford a pupilage with Richard Wilson, but not with a portrait painter. His work in the vein of his master was not a path to fame either in England or in Italy, where he travelled from 1777 to 1783. He sought the patronage of Sir William Hamilton, and failed to get it: ‘his recourse ...”

“... Belgrave Square, Rathmines – or in the back kitchen of some much more modest establishment. As Richard Ellmann emphasised in his biography, Joyce employed his father till the very end, requiring the particulars of the ‘Star of the Sea’ church when Pappie was at death’s door. In his last remembered words the old man replied to another of his son’s ...”

“... approach. Jackson Pollock’s drips are process, as are Lynda Benglis’s polyurethane pours. Richard Long’s walks are process, and Richard Serra’s lead props. Process, in other words, emphasises the how of making as the work’s content, rather than the why. Nash stands out for his sheer commitment to process as an ...”

“... in mind of Frank O’Connor’s account of a picture he saw in Joyce’s Paris flat: the city of Cork in a cork frame. An instance, no doubt, of Joyce’s compulsive punning, the picture can also be viewed as the manifestation of an ambiguous attitude. The visual pun depreciates the city of Joyce’s forebears, suggesting ...”

“... of brightly painted stone cottages, out there at the end of the world, beyond Allihies in West Cork. The cottages have been extensively tampered with, knocked through, until they form a single unit, set square to the prevailing on-shore winds. The occupier, New York-born to a childhood in John Cheever commuting country, now reinvented as a Vietnam-vintage ...”

“... is a necessary evil,’ Stephen Dedalus says in Ulysses. In Yeats: The Man and the Masks, Richard Ellmann quoted Ivan Karamazov: ‘Who doesn’t desire his father’s death?’ ‘From the Urals to Donegal,’ Ellmann writes,the theme recurs, in Turgenev, in Samuel Butler, in Gosse. It is especially prominent in Ireland. George Moore, in his ...”

“... the weirdest household of all. Antonia has inherited a sprawling, dilapidated manor in North Cork from her dead cousin and lover, Guy Montefort. She now lives there with Guy’s former fiancée, Lilia, whom she has married off to Fred Danby, an illegitimate cousin. Fred truculently farms the estate. He and Lilia have two children, Jane and ...”

“... Richard Rayner's new novel, his second, opens with a nervous exhibition of rhetorical trills and twitches, buttonholing the reader like a stand-up comic on his first night:      My name is Headingley Hamer.      Absurd, I admit, but this statement is true, and it’s not that I don’t want to tell this story, nor that l feel impelled to do so and am trying to stop myself, just that I’m having trouble getting going ...”

“... chocolates and Alka-Seltzer in the 1960s and 1970s. When visiting Duchamp on holiday in Cadaqués, Richard Hamilton and John Cage would try to avoid having to meet Dalí, whose villa was close by, and their hauteur is still felt by art historians and curators: Dalí was marginalised at the Hayward Gallery’s Undercover Surrealism exhibition in 2006, and at ...”

“... a patina of middle-classness, his beginning wasn’t much grander than my own. He and his brother Richard had been brought up in a similarly boxy little house in a similarly depressing part of Haywards Heath by his single teacher mother. Although his family was much better educated than mine, it was still trapped in the same sort of grim lower echelons of the ...”

“... the cupola the words LIBERT. AMERIC. are inscribed. It is a potent, and in England, where the Cork-born artist engraved it, a rare republican icon that celebrates the transplantation of radical English political ideology to the American shore. The engraving is reproduced on the dust-jacket of Marvell and Liberty, a collection of essays which, like David ...”

“... get a timed ticket from reception first). When the Edes lived there, the pulley was a fishing-net cork on the end of a rope; the curators are hunting for a similar one to replace it. (The bell is original, nabbed from the servants’ corridor of a grand house in Scotland.) After ringing, you wait for someone to open the double doors to let you in. In ...”

“... for this one. On both Hanley is accompanied by some very nice men. I’d love to meet her mate Richard, first introduced in Estates. At Solihull College they were ‘the much-talked-about, little practised coming together of north Solihull and south Solihull, a clash of the provincial titans to match Adrian Mole and Pandora’, without the romance. In and ...”