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“... Opera became a sensitive field of ideological possibilities: the traditions associated with Richard Wagner, in particular, had to be reassessed in the withering light of Nazism, while in Italy the revival – begun under Mussolini as part of a nationalist cultural policy – of an apparently dead repertory of early 19th-century works led to a vogue for ...”

“... took very seriously indeed. Paul Hazard, Erich Haase, Hugh TrevorRoper, Rosalie Colie and Joseph Levine, among many others, have argued in classic books and articles that the Republic of Letters provided a forum in which the great philosophical and philological theses of the 17th century were debated. The intellectuals Goldgar studies worried about manners ...”

“... much for it, and now it’s not worth very much because of Pop Art,’ Warhol told the artist Les Levine a few years later. ‘Of all the painters working today in the service – or thrall – of a popular iconography, Andy Warhol is probably the most single-minded and the most spectacular,’ Michael Fried wrote in Art International in December ...”