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“... My aspiration​ to spend time at sea as requisite literary training died long ago, as a teenager, on a white-knuckled ferry ride to Elba during a torrential rainstorm. Not only was I seasick, I saw the population on board as hostile competitors to salvation. As the ferry lurched and rolled, we gave one another dirty looks, sized up whose head we would push under the waves to keep our own above the waterline ...”

“... Telex from Cuba, Rachel Kushner’s first novel, was set in the American colony in Oriente Province in the years leading up to the revolution. It described a place in which many had very little and a few had a great deal: indentured plantation workers and Castro’s rebels but also anxious American housewives, dissatisfied middle-managers and the vulnerable children of mining and sugar-cane executives ...”

“... of human sweat ionising on stainless steel’, I’m not sure she is staying in character. And Kushner deploys the trick of humanising Romy for readers by making her too someone who likes to read. There are several unnecessary attempts to persuade us not only that Romy is smart, but also that the terms by which we might judge smarts (a salaried ...”

“... Rachel Kushner​ ’s fourth novel, Creation Lake, shuttles between the story of Sadie Smith, a spy-for-hire tasked with observing Le Moulin, a radical environmentalist commune in rural southwest France, and the intercepted emails of Bruno Lacombe, a cave-dwelling local eccentric who serves as the Moulinards’ mentor and spiritual icon ...”

“... delighting her audience with a glimpse of hell. Vashti is easily identified as the tragedian Elisa Rachel, whom Charlotte Brontë had seen in London in 1851. Sarah Bernhardt may be better known today, but it was Rachel who haunted the English literary imagination throughout the 19th century. In James’s The Tragic Muse, the ...”

“... by tenured academics and their MFA spawn, Dickensian verisimilitude courtesy of Wikipedia (cf Rachel Kushner, Jonathan Safran Foer et al). Something of this retrograde motion warps American criticism as well. Even today, when subjects Burroughs treated long before anyone else – the surveillance state, the technological engineering of ...”

“... a lead story by Maggie Haberman, Mark Mazzetti and Matt Apuzzo, headlined in diminishing type: ‘Kushner Is Said to Have Mulled Russia Channel – Trump Tower Meeting – Aim was a Secret Means for Communications During Transition.’ Those lines say all that the story has to say – the channel was never established. But they strung it out to seven short ...”