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“... Several years ago, Philip Hensher decided that he wanted ‘to do something impossible: to write a 19th-century novel’. To that end, he has composed each of the many chapters of The Mulberry Empire, which fictionalises the First Afghan War of 1839-42, in imitation of a 19th-century prose writer. He has gleefully scrumped the styles of Dickens, Surtees, Tolstoy, Custine, Thackeray, Eliot, Austen, Gogol and possibly dozens of others – ‘possibly’, because he never names the writers he’s pastiching: it’s up to the reader to identify them ...”

“... Friedrich, the young protagonist of Philip Hensher’s third novel, Pleasured, lives the sort of dismal half-life that was possible in Berlin before the Wall came down, the period when West Germans received subventions just for taking up residence there. It was a city that attracted the very old, who needed to bulk up their pensions, and the young, who wanted to study or just vegetate – or to escape compulsory military service (another advantage of living in Berlin ...”

“... insolent and immune, where its existence is never guessed’ (that’s Proust, of course). With Philip Hensher, there’s no question of having to crank up an interest outside his constituency, since homosexuality has until now played a relatively small part in his fiction. The Northern Clemency (2008) showed an extraordinary flair for building up the ...”

“... We are fighting a losing battle,’ Philip Hensher writes in The Missing Ink, his funny, exasperated book in defence of handwriting.* He has no difficulty spotting the enemy. Consider the advice from the Indiana Department of Education last year that only proficiency with a keyboard would be expected of pupils in its charge ...”

“... to be the people who’d compiled it. The Today programme tried to get a dispute going between Philip Hensher (37), one of the chosen writers, and Ian Jack (57), the editor of Granta and chair of the judges, after Hensher said he thought it was silly and arbitrary that novelists had to be under 40 to be ...”

“... Perhaps they were thinking of the non-story of last year in which someone who wasn’t Philip Hensher didn’t get hit by someone who wasn’t James Thackara, after Hensher, reviewing Thackara’s first novel, said he couldn’t ‘write “Bum” on a wall’. At least Norman Mailer did head-butt Gore ...”

“... researched, gruesome detail and ‘period’ dialogue; love affairs across ethnic boundaries). Philip Hensher amusingly panned that book, The Thousand Autumns of Jacob de Zoet (2010), which was set on a Dutch trading post in Nagasaki Bay in 1799, as ‘an exotically situated romance of astounding vulgarity’. ...”

“... underestimate the tenacity of cultural stereotypes and the stale-mindedness of press writers like Philip Hensher (who twice rehashed Leavis’s line that the ‘set’ were not artists but self-publicists) and Waldemar Januszczak (‘Bloomsbury. Just tapping out these ten tedious letters has brought on a severe attack of RSI’). Yet in truth – to ...”

“... the TV series, though the numbered ‘acts’ in the novel appear out of order (Two, One, Three). Philip Hensher described the book’s structure as ‘dazzling, Conrad-like’, and though it’s hardly Nostromo, and doesn’t pretend to be, it is a lot of fun and very well executed.The series as a whole plays a different kind of trick with time. The ...”

“... this stuff and roaring with larffter since i was 11 yrs old’ (which, if nothing else, endorses Philip Hensher’s assertion in the introduction to this edition that those who attempt to imitate Molesworth’s style always ‘come a cropper’). Hensher, too, at ‘inexplicable moments’, has had to ‘lay down Down ...”

“... Reviewers of Greed have met it at best with polite puzzlement, at worst with disdain. Philip Hensher said it was ‘atrocious’. And he was right – Greed is unreadable. But it is not the same book as Gier. What has also been atrocious has been the failure of anyone reviewing it to go back and read the German. One of the favourite ways ...”

“... interviewer. Byatt very often says yes. She says yes to the Paris Review interviewer (her friend Philip Hensher) when he asks whether it isn’t Beatrice Nest who is the ‘avenging angel’ of Possession. She takes this up eagerly. She extends herself at once into the figure of Beatrice, an academic trapped in middle age and unaccustomed ...”

“... and its effects quietly naturalised as part of Theresa May’s new political settlement. Philip Hammond’s first Autumn Statement, delivered to Parliament on 23 November, confirmed that this is the ambition: none of Osborne’s major planned cuts was reversed, an overall budget surplus remains the goal (simply postponed from 2020 to 2025), planned ...”

“... its big names too: Paul Mason from Newsnight, Suzanne Moore from the Mail on Sunday, the novelist Philip Hensher. Some people refuse to stand on an IoI platform, considering them clandestine and creepy. Others are a bit doubtful, but take part in the events in the interests of free debate. Others again want the exposure and don’t care about the IoI’s ...”

“... It’s not just Victorian models that make The Casual Vacancy seem a bit thin and monochrome. Philip Hensher’s King of the Badgers, published last year, also has a West Country setting (frankly Devonian), not to mention a self-consciously pretty town trying to set itself apart from a larger settlement nearby, disowning any connection with a ...”