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Selected Poems 
by Patricia Beer.
Hutchinson, 152 pp., £5.95, April 1980, 0 09 138450 8
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The Venetian Vespers 
by Anthony Hecht.
Oxford, 91 pp., £3.95, March 1980, 0 19 211933 8
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Nostalgia for the Present 
by Andrei Voznesensky.
Oxford, 150 pp., £3.50, April 1980, 0 19 211900 1
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Reflections on the Nile 
by Ronald Bottrall.
London Magazine Editions, 56 pp., £3.50, May 1980, 0 904388 33 6
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Summer Palaces 
by Peter Scupham.
Oxford, 55 pp., £3, March 1980, 9780192119322
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... especially. Reflections on the Nile and Summer Palaces are the latest books by Ronald Bottrall and Peter Scupham. Their titles and covers provide a fair clue to the stances of the respective poets. The cover of Bottrall’s book is a strip of limo-green over dirty yellow – the sky over Egypt, you think, the muddy unreflecting Nile. ...

We shall not be moved

John Bayley, 2 February 1984

Come aboard and sail away 
by John Fuller.
Salamander, 48 pp., £6, October 1983, 0 907540 37 6
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Children in Exile 
by James Fenton.
Salamander, 24 pp., £5, October 1983, 0 907540 39 2
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‘The Memory of War’ and ‘Children in Exile’: Poems 1968-1983 
by James Fenton.
Penguin, 110 pp., £1.95, October 1983, 0 14 006812 0
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Some Contemporary Poets of Britain and Ireland: An Anthology 
edited by Michael Schmidt.
Carcanet, 184 pp., £9.95, November 1983, 0 85635 469 4
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Nights in the Iron Hotel 
by Michael Hofmann.
Faber, 48 pp., £4, November 1983, 0 571 13116 6
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The Irish Lights 
by Charles Johnston and Kyril Fitzlyon.
Bodley Head, 77 pp., £4.50, September 1983, 0 370 30557 4
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Fifteen to Infinity 
by Ruth Fainlight.
Hutchinson, 62 pp., £5.95, September 1983, 0 09 152471 7
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Donald Davie and the Responsibilities of Literature 
edited by George Dekker.
Carcanet, 153 pp., £9.95, November 1983, 9780856354663
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... is merely bored. This occurs with many of the poets in Michael Schmidt’s anthology, for though Peter Scupham, Jeremy Hooker, Jeffrey Wainwright, Dick Davies and John Ash are all highly talented and painstaking artists, they seem to be fashioning their poems for themselves and each other. As Auden and Eliot showed, ‘difficult’ poetry can still be ...

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