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“... for these experiences and not representations of them. Entering an overwhelmingly crowded field, Pepe Karmel’s Picasso and the Invention of Cubism stakes its claim to independence in two ways: its use of empiricist philosophies of perception to inform the Cubist separation of perceptual data into visual and tactile registers; and its vituperation of ...”

“... for the exhibition contains long essays by its curator, Kirk Varnedoe, and his associate, Pepe Karmel. The Tate shares this catalogue while issuing its own publication in a smaller format with a text by the curator of the London showing, Jeremy Lewison. I’m not clear whether it has been published to serve as a supplement to the actual catalogue ...”