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Shag another

Katrina Forrester: In Bed with the Police, 7 November 2013

Undercover: The True Story of Britain’s Secret Police 
by Rob Evans and Paul Lewis.
Faber and Guardian Books, 346 pp., £12.99, June 2013, 978 0 571 30217 8
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... The fault, they claim, lies with a number of rogue officers. In Undercover, Rob Evans and Paul Lewis draw on the testimonies of activists and whistleblowers to chart the history of secret policing. Their prize source is the former undercover officer Peter Francis, who spied on minor anti-fascist and anti-racist groups in North London in the early ...

Apoplectic Gristle

David Trotter: Wyndham Lewis, 25 January 2001

Some Sort of Genius: A Life of Wyndham Lewis 
by Paul O'Keeffe.
Cape, 697 pp., £25, October 2001, 0 224 03102 3
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Wyndham LewisPainter and Writer 
by Paul Edwards.
Yale, 583 pp., £40, August 2000, 0 300 08209 6
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... The day he first met Wyndham Lewis, shortly after the end of the First World War, Ernest Hemingway was teaching Ezra Pound how to box. The encounter took place in Paris, where Pound had a studio, and Lewis, impassive beneath his trademark wide black hat, seemed content to watch in silence ...

The Call of Wittenham Clumps

Samuel Hynes, 2 April 1981

Paul Nash 
by Andrew Causey.
Oxford, 511 pp., £35, June 1980, 0 19 817348 2
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The Enemy 
by Jeffrey Meyers.
Routledge, 391 pp., £15, July 1980, 0 7100 0514 8
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Wyndham LewisA Revaluation 
edited by Jeffrey Meyers.
Athlone, 276 pp., £13.50, May 1980, 0 485 11193 4
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Wyndham lewis 
by Jane Farrington.
Lund Humphries, 128 pp., £6.95, October 1980, 0 85331 434 9
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... Wyndham Lewis had a phrase for himself and those of his contemporaries whom he considered worthy of his company: he called them ‘The Men of 1914’. The phrase has a nice martial ring, and it is not surprising that critics have taken it up: but it implies a historical point that one simply can’t make. 1914 was the year the war started: but it didn’t start then for any of Lewis’s ‘Men ...

I suppose I must have

Sophie Lewis: On Gaslighting, 1 August 2024

On Gaslighting 
by Kate Abramson.
Princeton, 217 pp., £20, May, 978 0 691 24938 4
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... the TV drama Bad Sisters, set in Dublin, four sisters conspire to murder their brother-in-law John Paul, an abusive monster who is married to their beloved sister, Grace. The dynamics of the marriage are clear from the pilot. It’s Christmas Day and tradition has it that the siblings meet at Forty Foot – a swimming spot just south of Dublin – for a ...

At the National Portrait Gallery

Peter Campbell: Wyndham Lewis, 11 September 2008

... Wyndham Lewis’s Modernism refuses a provincial label. His intellectual toughness and taste for self-promotion and polemic were foreign to the amateurishness that, he believed, vitiated Bloomsbury’s insular Post-Impressionism. Vorticism, the movement he set up with Pound and others around 1913 after a break with Roger Fry, would probably have had a short life even if the war had not intervened ...

Peter opened Paul the door

Leofranc Holford-Strevens: The Case for Case, 9 July 2009

The Oxford Handbook of Case 
edited by Andrej Malchukov and Andrew Spencer.
Oxford, 928 pp., £85, November 2008, 978 0 19 920647 6
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... dativus commodi vel incommodi. Polish uses the dative both when Peter opens a tin of sardines for Paul and when he opens the door for him, Paul being in either instance enabled to perform an action. English uses the dative only when the action Paul is enabled to perform will be carried ...

The Academy of Lagado

Edward Said: The US Administration’s misguided war, 17 April 2003

... experts identified long ago as having the most influence over American Middle East policy, Bernard Lewis and Fouad Ajami. Now in his late eighties, Lewis came to the US from the UK some thirty years ago to teach at Princeton. His fervent anti-Communism and disapproval of everything about contemporary Arabs and Islam pushed ...

Diary

Paul Laity: Henry Woodd Nevinson, 3 February 2000

... on Tottenham Court Road. It was a remarkable time at the Slade – his other classmates included Paul Nash, Ben Nicholson, David Bomberg and William Roberts – and a revolutionary moment in British art. Even to express support for Roger Fry’s Post-Impressionist exhibitions was daring and radical. Nevinson, having seen a contemporary art show in ...

Short Cuts

Simon Wren-Lewis: Magic Money Trees, 13 July 2017

... Only the Tories had taken ‘the difficult decisions’ to bring the deficit down. Economists like Paul Krugman and me argued that in fact it was the height of incompetence to start bringing the deficit down so early in the recovery, but our voices were largely drowned out by what I call ‘mediamacro’, one of whose tenets is that the government is just like ...

Anticipatory Plagiarism

Paul Grimstad: Oulipo, 6 December 2012

Many Subtle Channels: In Praise of Potential Literature 
by Daniel Levin Becker.
Harvard, 338 pp., £19.95, May 2012, 978 0 674 06577 2
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... finds Auguste Dupin going up against a villain who is ‘both poet and mathematician’); Lewis Carroll’s chessic fantasias; and Raymond Roussel, whom Queneau praised for ‘uniting the precision of the poet with the madness of the mathematician’. Perec in particular constantly invokes Herman Melville: W’s narrator identifies not with ...

Paul de Man’s Past

Christopher Norris, 4 February 1988

... title ‘Yale Scholar’s Articles Found in Nazi Paper’. The scholar in question was the late Paul de Man, who had written these pieces during the early Forties before leaving Belgium for America. They were published in Le Soir, a newspaper of pro-Nazi sympathies, and contain many passages that can be read as endorsing what amounts to a collaborationist ...

Muldoon – A Mystery

Michael Hofmann, 20 December 1990

Madoc – A Mystery 
by Paul Muldoon.
Faber, 261 pp., £14.99, October 1990, 0 571 14489 6
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... output at a stroke. But in another way, it does remarkably little to change the sense one has of Paul Muldoon. It is a book for initiates, more of the same. Each of his previous five volumes has ended with something a little longer, a relaxing gallop after the dressage – even ‘The Year of the Sloes, for Ishi’ in New Weather (1973) was four pages ...

World’s End

John Ryle, 13 October 1988

The Missionaries 
by Norman Lewis.
Secker, 245 pp., £10.95, May 1988, 0 436 24595 7
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... style more personal and episodic and its condemnation of the missionaries more unequivocal. Norman Lewis is a writer of unusual anthropological sensibility with an honourable record in the field: government policy in Brazil was changed as a result of the international protests which followed his campaigning article in the Sunday Times on the massacres of ...

Keeping up the fight

Paul Delany, 24 January 1991

D.H. Lawrence: A Biography 
by Jeffrey Meyers.
Macmillan, 446 pp., £19.95, August 1990, 0 333 49247 1
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D.H. Lawrence 
by Tony Pinkney.
Harvester, 180 pp., £30, June 1990, 0 7108 1347 3
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England, My England, and Other Stories 
by D.H. Lawrence, edited by Bruce Steele.
Cambridge, 285 pp., £37.50, March 1990, 0 521 35267 3
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The ‘Lady Chatterley’s Lover’ Trial (Regina v. Penguin Books Limited) 
edited by H. Montgomery Hyde.
Bodley Head, 333 pp., £18, June 1990, 0 370 31105 1
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Boy 
by James Hanley.
Deutsch, 191 pp., £11.99, August 1990, 0 233 98578 6
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D.H. Lawrence: A Literary Life 
by John Worthen.
Macmillan, 196 pp., £27.50, September 1989, 0 333 43352 1
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... above the viscosity of ordinary life. These motifs are often associated with the male: as Wyndham Lewis put it in Tarr, ‘God was man: the woman was a lower form of life. Everything started female and so continued: a jellyfish diffuseness spread itself and gaped upon all the beds and bas-fonds of everything.’ Even if we agree with Pinkney that ‘female ...

Even more immortal

Paul Driver, 8 April 1993

Memories of Beethoven: From the House of the Black-Robed Spaniards 
by Gerhard von Breuning, edited by Maynard Solomon, translated by Henry Mins and Maynard Solomon.
Cambridge, 154 pp., £15.95, November 1992, 0 521 41710 4
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Beethoven: Studies in the Creative Process 
by Lewis Lockwood.
Harvard, 283 pp., £31.95, July 1992, 0 674 06362 7
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... creative decisions. Breuning’s memoir paints an intimate portrait of Beethoven’s domesticity: Lewis Lockwood to a striking extent domesticates Beethoven’s genius, which is now revealed as less an unknowably sublime phenomenon than a matter of hard practicality, of a last-minute deletion on the autograph or a superadded bit of scrawl. Reading about the ...

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