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“... Anyone who has travelled even as far as Paris, threading with more or less success the Kafkaesque corridors of Heathrow or God preserve us Gatwick, will agree that a man’s soul has to be riveted to his body to survive it. What then are we to say to Fernao Mendes Pinto, who travelled with scarcely a pause except for being captured 13 times and 17 times sold into slavery, going from the Ethiopia of Prester John to the Japan of the Daimyos and St Francis Xavier? Some say that he was a prodigy, as well as one of the great Portuguese classics, the prose equivalent of Camoens; others say that he was a liar ...”

“... The last few years​  have been rich in Oxford Books, and I have read three of them: 18th-Century Verse and 18th-Century Women Poets, both edited with great skill and erudition by Roger Lonsdale, and Travel Verse, by Kevin Crossley-Holland. When I say ‘read them’ I mean I have dipped copiously, as one usually does with anthologies, sometimes taking years to digest the whole ...”

“... One of this book’s chief virtues is candour. If John Cummins first saw Drake as the knightly figure sans peur et sans reproche who had been held up for admiration to so many generations, it must have grieved him to find how far upwards the feet of clay could reach. But he states the facts with a fine impartiality. This account will have nothing to do with myths such as Drake’s drum (a 19th-century invention, it appears) or the game of bowls on Plymouth Hoe or Drake as the conquering hero in the battle against the Armada; yet even so it is by no means that dreary thing, a debunking book ...”

“... The first of these books is of a kind that rarely comes into the hands of a general reader: it is a highly-detailed account of the submarine war seen from the German side and it was written by a Kriegsmarine officer after the war at the request of the Admiralty and the United States Navy Department. Fregatenkapitän Hessler commanded a U-boat in 1940 and 1941; he then served on the staff of the Flag Officer, Submarines; and for the purpose of writing this book he and the German naval officers who helped him were given access to the War Diaries and the primary sources of the Kriegsmarine ...”

“... In France there have been many studies of Saint-Exupéry since his death in 1944; the five books he published are continually kept in print; and Le Petit Prince is to be found everywhere. In England his following was never so great, and although he remains a very well-known name he has not attracted anything like as much critical or biographical attention: this book, however, provides a full account of his life, with a good deal of information that is not to be found elsewhere ...”

“... Captain Kidd, though by no means the most successful of the pirates, was certainly the best-known. His name means piracy to this day, and it is a little strange to see it used in the title of the present book as though he took part in this war on the virtuous side. Yet such is the case. Robert Kidd appeared on the recorded scene in 1689 at the age of about 44, as one of the crew of a buccaneering ship in the West Indies ...”

“... Both these books are concerned with the sea in the days of the sailing Navy and with the nature of command, so much enhanced in distant waters when communication with government might take half a year rather than half a minute. Drake executed Doughty in Patagonia without a qualm; or at least without being disturbed for doing so when he came home. Mr Bligh’s Bad Language deals primarily with the mutiny of the Bounty, weaving the account in and out of an ethnographical discussion of life aboard men-of-war and of the political and spiritual life of the Polynesians, with great emphasis on their ideas of the sacred and of sacrifice ...”

“... John Keegan’s book is about the principles, strategy and tactics of warfare at sea and their evolution as it is exemplified in four great battles, Trafalgar, Jutland, Midway, and a critical period in that long struggle the Battle of the Atlantic. It is a strangely mixed book, some parts being quite remarkably good and quite unhackneyed, others dealing with matters that have been handled again and again, and doing so with no great originality ...”

“... In his introduction to Last Voyages Professor Edwards almost apologises for voyages as a form of literature, partly because the New Criticism ignored them; yet he may be battering at an open door, for surely the great mass of readers, who do not give a damn for the New Criticism, have never ceased to agree that ‘these narratives ... are a special kind of writing with distinctive values of its own ...”

“... All these books are concerned with what the Spaniards once called the Felicissima Armada and what the English still, with a quiet smile, call the Invincible Armada (apparently it was Burleigh who first thought of the word, shortly after the event). They differ very much in approach, in emphasis, and even in conclusion – Mia Rodrigues-Salgado, for example, feels that the enterprise increased Philip II’s reputation, particularly in the north – but they all of course agree in trying to place the disastrous voyage in its context ...”

“... William Golding’s new novel, Fire Down Below is the third volume of a trilogy, the other parts being Rites of Passage and Close Quarters. The trilogy is about a voyage to Sydney in 1813, and a bald, merely literal account might run like this ... On the first page the hero appears, Edmund FitzHenry Talbot, an unformed young man of good family who is going out to help govern New South Wales in an aged line-of-battle ship, Captain Anderson commander, and who has been given a book in which to record his journey by his godfather, an influential peer ...”

“... decided to give another writer he’d spotted a chance to fill the gap in the market. He wrote to Patrick O’Brian, who duly signed a contract headed: ‘Untitled novel about an 18th-century naval adventurer’.Hill’s attention had been caught by a chance reading of The Golden Ocean (1956), a novel for teenagers which made it clear that ...”

“... That Patrick O’Brian would write a good book about the early life of Joseph Banks was to be expected. Banks combined the enthusiasm and practical competence of one of O’Brian’s fictional heroes, Jack Aubrey, with the passion for natural history of another, Stephen Maturin ...”

“... its heroisms, weaknesses and absurdities – excited Farrell’s fantasy. In the same way, Patrick O’Brian, a similar and at least as great a talent, though not specifically an Oriental specialist, has to have a ship and the sea for his marvellously delicate and humorous fantasies set in Napoleon’s day. These are emphatically not adventure ...”

“... then died raggedly away, replaced by a tumult of weeping. W.C. Fields would be proud of her. Patrick O’Brian’s 13th story about Jack Aubrey and Stephen Maturin – appropriately called The Thirteen-Gun Salute – is as entertaining as its predecessors. O’Brian is a master of the narrative of action, but he ...”