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“... Stalinist, alcoholic, sexually ambivalent, Patrick Hamilton had all the prerequisites of a successful Thirties writer. That his success was uneven would seem simply another sign of the times, the mark of an epoch grimly wedded to failure. His work was praised by Greene, Priestley, Lessing, Powell; but if he survives today it is for a couple of memorably macabre dramas – Rope and Gaslight – which Hamilton himself scorned as callow sensationalism ...”

“... Patrick Hamilton is remembered today, if at all, for the short pre-war novel Hangover Square, and the stage thrillers Rope and Gaslight. They are good of their kind, but they lack the feel of involuntary masterpieces which still attends their up till now vanished predecessor – the trilogy of novels brought together in 1935 as Twenty Thousand Streets under the Sky ...”

“... Towards the end of his life (he died aged 58) Patrick Hamilton was taking the cure in some Metroland establishment while Malcolm Lowry was being dried out in another not far off. That was around l960, and the two writers never met; but both had become something of a cult. Hamilton died two years later in more than averagely gloomy circumstances, back on the bottle again; and most of his reputation went with him; but there were always the faithful who remembered and read him, and a few years ago his young man’s trilogy from the early Thirties, Twenty Thousand Streets under the Sky, was republished ...”

“... was sometimes said, was always in the pub but never really of it. Much the same could be said of Patrick Hamilton, who was best known in his lifetime for his stage chillers Rope (1929) and Gaslight (1938), but is mostly remembered for the expert depictions of joyless interwar boozing in Hangover Square (1941) and the trilogy Twenty Thousand Streets ...”

“... the allure of city life, the exoticisation of its underside (what she calls, in a line that evokes Patrick Hamilton, ‘the flavour beneath the flagstones’ of London), the push-pull of fascination and disgust – what emerges most strongly from reading her is that she shares their fascination with decay; or, more exactly, the cusp of decay. It’s what ...”

“... own collections of the stuff) or by condescending arts programmers prepared to suffer a ten-minute Patrick Hamilton retrospective – as long as it goes out at midnight. Lowlife fictions, closer to the action than any scissors-and-paste ‘true crime’ anthology, inform us, involve us, excite us, return us to a lost sense of our own mortality. Here the ...”

“... the world slowed down, physical sensations overwhelmed him. He had infiltrated the pages of Patrick Kavanagh’s Green Fool, but the lyricism was spattered with ancient brutalities, bedridden bachelors, mud-slow policemen, bicycles, stone fields – and, always, the drink. Attending him on the farm, as in the city, never further than the end of the ...”

“... of them forgotten: Douglas Goldring, Leslie Welsh, Edward Shanks, J.D. Beresford, Ethel Carnie, Patrick Hamilton, Alick West, H.R. Barbor, Miles Malleson. To Lucas, these writers differed from the more self-regarding literati in their search for ‘a little-told story: a story not of despair, but of resistance, even vision’. The patricidal ...”

“... will be said. The effect is the exact opposite of the comic principle as met with in the novels of Patrick Hamilton, say, or of Anthony Powell (who is rather engagingly referred to, by one of the Welshmen, as an author presumably Welsh, and who remarked that more marriages come to grief from envy than from jealousy). This is quite an important ...”

“... further undermines the victim. George Cukor’s 1944 film noir Gaslight, based on the 1938 play by Patrick Hamilton, inspired the term, though it took some time to gain ground. Psychoanalytical scholarship first mentioned ‘the gaslight phenomenon’ in the late 1960s. In 1981, two doctors, Victor Calef and Edward Weinshel, gave an account of gaslighting ...”

“... for those who’ve suffered such abuses. The reference is to the George Cukor film of the Patrick Hamilton play Gaslight, in which Charles Boyer drives Ingrid Bergman mad with self-doubt through devious manipulations that include the gradual damping-down of the gaslight lamps in their marital home. Use of the accusation might tend to exculpate ...”

“... than likely ways. Rose Macaulay collected soap and Storm Jameson socks and blankets for Spain; Patrick Hamilton deserted satirical realism for dystopia and allegory; Stephen Spender meandered Forward from Liberalism, crabwise; Sybil Thorndike joined the board of the Daily Worker; Dylan Thomas insisted that his ‘Ceremony after a Fire Raid’ must ...”

“... Maidenhead. I didn’t know it was wicked until later when I read the novels of Graham Greene and Patrick Hamilton. My aunt certainly wasn’t wicked. When she stepped out of the house she would usually go, not down into the town itself, but in the other direction up to what were called ‘the fields’ and on to Maidenhead Thicket. She was away for ...”

“... which I worked, were the happily idiosyncratic Communists Sylvia Townsend Warner, Edgell Rickword, Patrick Hamilton, Montagu Slater, Randall Swingler and, around them, particularly in nearby pubs, such friends as Nancy Cunard, Lennox Berkeley, Roy Fuller, John Minton, Dylan Thomas, Julian Trevelyan and so on. Our Time and Theatre ‘Today, like ...”

“... north Norfolk coast. Some edge of the golf course, out of season resort like Sheringham – where Patrick Hamilton dried out, on a regimen of no booze before lunchtime, Hopalong Cassidy novels, and the occasional glimpse from behind net curtains of schoolgirls on horseback. They should have known the real story, because it was there from the ...”