Jamboree
John Sturrock, 20 February 1986
Handbook of Russian Literature
edited by Victor Terras.
Yale, 558 pp., £25, April 1985,0 300 03155 6 Show More
edited by Victor Terras.
Yale, 558 pp., £25, April 1985,
Verbal Art, Verbal Sign, Verbal Time
by Roman Jakobson, edited by Krystyna Pomorska and Stephen Rudy.
Blackwell, 208 pp., £25, July 1985,0 631 14262 2 Show More
by Roman Jakobson, edited by Krystyna Pomorska and Stephen Rudy.
Blackwell, 208 pp., £25, July 1985,
Historic Structures: The Prague School Project 1928-1946
by F.W. Galan.
Croom Helm, 250 pp., £22.50, May 1985,0 7099 3816 0 Show More
by F.W. Galan.
Croom Helm, 250 pp., £22.50, May 1985,
Mikhail Bakhtin
by Katerina Clark and Michael Holquist.
Harvard, 398 pp., £19.95, February 1985,0 674 57416 8 Show More
by Katerina Clark and Michael Holquist.
Harvard, 398 pp., £19.95, February 1985,
The Formal Method in Literary Scholarship: A Critical Introduction to Sociological Poetics
by M.M. Bakhtin and P.M. Medvedev, translated by Albert Wehrle.
Harvard, 191 pp., £7.50, May 1985,0 674 30921 9 Show More
by M.M. Bakhtin and P.M. Medvedev, translated by Albert Wehrle.
Harvard, 191 pp., £7.50, May 1985,
Dialogues between Roman Jakobson and Krystyna Pomorska
translated by Christian Hubert.
Cambridge, 186 pp., £15, August 1983,0 521 25113 3 Show More
translated by Christian Hubert.
Cambridge, 186 pp., £15, August 1983,
The Dialogical Principle
by Tzvetan Todorov, translated by Wlad Godzich.
Manchester, 132 pp., £25, February 1985,0 7190 1466 2 Show More
by Tzvetan Todorov, translated by Wlad Godzich.
Manchester, 132 pp., £25, February 1985,
Rabelais and his World
by Mikhail Bakhtin, translated by Hélène Iswolsky.
Indiana, 484 pp., $29.50, August 1984,0 253 20341 4 Show More
by Mikhail Bakhtin, translated by Hélène Iswolsky.
Indiana, 484 pp., $29.50, August 1984,
“... of Russian Formalism first published at the end of the Twenties. What Bakhtin – or Bakhtin/Medvedev, because the book was to some unknown degree collaborative – thought was wrong in Formalism was its insistence that literary language was somehow peculiar to literature. Formalists went in joyful pursuit of what Jakobson, I think, was the first to call ... ”
