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“... 17th-century religious pictures which can be seen at the Villa Medici in Rome until 28 January, Olivier Bonfait and Neil MacGregor challenge us to take theology as seriously as aesthetics. They also prove that it requires more than a sensitive eye and a generous imagination to understand a picture. The thesis of the exhibition and its catalogue ...”

“... is another. That the artist ‘qui incame le XVIIe siècle français’ should have become (as Olivier Bonfait’s essay in the Paris catalogue describes him) ‘un objet totalement “anglo-saxon” ’ is seen as a source of national shame. Interviewed in Le Monde, Jacques Thuillier of the Collège de France complained that, ‘à ...”