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D.A.N. Jones, 5 April 1984

Old Catholics and Anglicans: 1931-1981 
edited by Gordon Huelin.
Oxford, 177 pp., £12.50, April 1983, 0 19 920129 3
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Anglican Essays 
by C.H. Sisson.
Carcanet, 141 pp., £6.95, April 1983, 0 85635 456 2
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The Song of Roland 
by C.H. Sisson.
Carcanet, 135 pp., £7.95, October 1983, 9780856354212
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The Regrets 
by Joachim du Bellay, translated by C.H. Sisson.
Carcanet, 147 pp., £4.50, January 1984, 0 85635 471 6
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... some other.’ This will seem a mild complaint to Richard Baxter after his fierce clashes with Oliver Cromwell, and his denunciation by Judge Jeffreys: Oy! Oy! What ailed the old stock-cole, unthankful villain that he could not conform? Richard, Richard, dost thou think we’ll hear thee poison the court? Richard, thou art an old fellow, an old ...

A Light-Blue Stocking

Helen Deutsch: Hester Lynch Salusbury Thrale Piozzi, 14 May 2009

Hester: The Remarkable Life of Dr Johnson’s ‘Dear Mistress’ 
by Ian McIntyre.
Constable, 450 pp., £25, November 2008, 978 1 84529 449 6
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... best. Johnson was soon the star attraction of a circle that included Edmund Burke, David Garrick, Oliver Goldsmith, Frances Burney and Joshua Reynolds, whose portraits of the group adorned the walls of the library in Streatham. Hester presided with remarkable wit, vivacity and in Burney’s neologism, ‘agreeability’; in ...

Dear Miss Boothby

Margaret Anne Doody, 5 November 1992

The Letters of Samuel Johnson: Vol. I: 1731-1772, Vol. II: 1773-1776, Vol. III: 1777-1781 
edited by Bruce Redford.
Oxford, 431 pp., £25, February 1992, 0 19 811287 4
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... him, but sometimes nothing more when we need more. In June 1781, for instance, Johnson writes to Reynolds: ‘It was not before yesterday that I received your splendid benefaction.’ There is a long note quoting Boswell’s description in the Life of Johnson of how he came upon this letter, but there is no account of what the ‘benefaction’ was or might ...

Wall Furniture

Nicholas Penny: Dickens and Anti-Art, 24 May 2012

... noisy advertising. In front of them some violent encounters of the sort familiar to Mr Jingle and Oliver Twist are being enacted. The print implies that cultural institutions, especially the new National Gallery, are detached from the sordid realities of urban life. The Royal Academy moved into the east wing of Wilkins’s building in 1837 while the National ...

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