Anybody’s
Malcolm Bull, 23 March 1995
Nicolas Poussin, 1594-1665
by Pierre Rosenberg and Louis-Antoine Prat.
Réunion des Musées Nationaux, 560 pp., frs 350, September 1994,2 7118 3027 6 Show More
by Pierre Rosenberg and Louis-Antoine Prat.
Réunion des Musées Nationaux, 560 pp., frs 350, September 1994,
Nicolas Poussin
by Anthony Blunt.
Pallas Athene, 690 pp., £24.95, January 1995,1 873429 64 9 Show More
by Anthony Blunt.
Pallas Athene, 690 pp., £24.95, January 1995,
Nicolas Poussin 1594-1665
by Richard Verdi, with an essay by Pierre Rosenberg.
Zwemmer, 336 pp., £39.50, January 1995,0 302 00647 8 Show More
by Richard Verdi, with an essay by Pierre Rosenberg.
Zwemmer, 336 pp., £39.50, January 1995,
Roma 1630: Il trionfo del pennello
edited by Olivier Bonfait.
Electa, 260 pp., July 1994,88 435 5047 0 Show More
edited by Olivier Bonfait.
Electa, 260 pp., July 1994,
Poussin before Rome 1594-1624
by Jacques Thuillier.
Feigen, 119 pp., £40, January 1995,1 873232 03 9 Show More
by Jacques Thuillier.
Feigen, 119 pp., £40, January 1995,
The Expression of the Passions
by Jennifer Montagu.
Yale, 256 pp., £35, October 1994,0 300 05891 8 Show More
by Jennifer Montagu.
Yale, 256 pp., £35, October 1994,
To Destroy Painting
by Louis Marin, translated by Mette Hjort.
Chicago, 196 pp., £31.95, April 1995,0 226 50535 9 Show More
by Louis Marin, translated by Mette Hjort.
Chicago, 196 pp., £31.95, April 1995,
“... They want him back. They always have, but now they want him more than ever: living in Rome for almost his entire career was one thing, posthumous residence in England is another. That the artist ‘qui incame le XVIIe siècle français’ should have become (as Olivier Bonfait’s essay in the Paris catalogue describes him) ‘un objet totalement “anglo-saxon” ’ is seen as a source of national shame ... ”
