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“... Fox never discusses her second marriage, which also produced children, or her current husband, Martin Greenberg, a former editor of Commentary and brother of Clement Greenberg. And while the later pages of the book are sprinkled with famous names – John Barrymore, Burl Ives and Frank Sinatra all have walk-on parts ...”

“... A blank page is frightening. Something has to be written, but how do you choose the words? Why this word and not that? How to overcome the arbitrariness of writing? One way is to trick yourself, to pretend that what you’re about to write has already been written, that someone has been there already and that you’re only following his traces, trying to reconstruct what must have happened ...”

“... historian.’ Bois later returned the favour when he asked Derrida to turn his notes concerning Martin Heidegger on Van Gogh into an article that Bois published in Macula, the journal he launched with Jean Clay in 1976. An Oblique Autobiography includes a stirring eulogy for Derrida, who died in 2004, and a scathing rebuttal of the insipid obituary ...”

“... issue of Tate magazine (where they are juxtaposed with One, inadvertently printed upside-down). Martin Maloney says: ‘He put himself in his painting through his inventive gesture. It’s funny how we visualise his making method when looking at a work, which we don’t do with any other artist.’ And Julian Schnabel says: ‘Looking at Pollock’s ...”

“... of, more as contributors to a loose art ‘scene’ with a complex pattern of interaction. Then Martin Maloney gives an insider view, writing as a painter whose own work is represented in the show, as well as a prolific art journalist (Art Forum, Flash Art etc). Brooks Adams is an American an journalist based in New York, who follows up with an outsider’s ...”

“... an actual dispute about contemporary art was staged at the Tate – defending, Michael Craig-Martin, leading light at Goldsmiths’ College; prosecuting, Hilton Kramer, editor of the New Criterion (it’s telling that there was no obvious British champion on this side). It was made a condition that the speakers should not address each other. Afterwards I ...”

“... King Vidor and Sam Peckinpah.) Is it really the Western that is the paradigm of kitsch in Clement Greenberg’s famous 1939 essay? (I always assumed that the Trotskyite and Modernist Greenberg was attacking Stalin’s Socialist Realism.) Mitchell asserts that ‘viewers and readers of the Western lacked (still lack) a ...”

“... Upper West Side or Greenwich Village where Dwight Macdonald, Alfred Kazin, Philip Rahv, Clement Greenberg and a supporting cast of kibitzers engaged in rhetorical (and, in Greenberg’s case, actual) fisticuffs. Like many men of ideas with impossibly high standards of intellectual probity, they could also be snarly little ...”

“... about Clinton are always the same joke. ‘When he comes to a fork in the road,’ writes Paul Greenberg of the Arkansas Democrat-Gazette, ‘he takes it.’ He wants to have his dozen Big Macs and eat them too. And so forth. (I myself have contributed a one-liner: ‘Why did Bill Clinton cross the road? Because he wanted to get to the middle.’) In ...”

“... of bourgeois hipsterville surrounded by local landmarks from Lena Dunham’s Girls, enlightened by Martin Amis sightings. Back then, baby, Brooklyn was badass and more than a trifle déclassé. To come from Brooklyn – ‘I was fiercely patriotic about Brownsville (the spawning ground of so many famous athletes and gangsters)’ – meant that you had ...”

“... looks immediate.’Neither of the tutelary spirits of the Abstract Expressionist movement, Clement Greenberg and Harold Rosenberg, had any interest in Bacon, and the lack of interest went both ways. When the Whitechapel Gallery put on a Jackson Pollock show in 1959 and the Tate staged its New American Painting a few months later, Bacon was curious only to meet ...”