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“... in poetic art. The most influential claims for the work of Goldsmith and his allies have come from Marjorie Perloff, a former president of the Modern Language Association and professor of English at Stanford. Perloff has trained at least two generations of scholars and written many books on writers and artists ...”

“... equally say, and in the same spirit, that ‘money had been his life.’ The sharpest point that Marjorie Perloff makes is to quote from Ian Hamilton’s biography of Lowell, recalling his treatment of one of his mistresses, the Lithuanian dancer Vija Vetra, for whom he declared ‘undying love’, and whom he set up in a Manhattan flat, rented in the ...”

“... of a particularly fertile Bohemia would be to show how his poems work, why they sound as they do. Marjorie Perloff took on that job in Frank O’Hara: Poet among Painters (1977), the first academic book on O’Hara. Her new introduction to the reissued volume considers recent scholarly accounts of his work, scores a number of important points against ...”

“... David Antin charged that ‘anthologies are to poets as the zoo is to animals.’ More recently, Marjorie Perloff called for undergraduates to swear off Evian, in the hope that tap-water drinkers could afford unabridged books rather than hackneyed fragments. Nobody seems to be listening. Last year set records: even without counting the millennial gift ...”

“... distinguished candidates standing for the post this year: Stephen Greenblatt, Sandra Gilbert and Marjorie Perloff. Their policy declarations make interesting reading. Each accepts there is a crisis – although they disagree as to whether the crisis lies within or outside the profession. Greenblatt echoes Clinton’s ‘It’s the economy, stupid.’ He ...”

“... as a particularly striking example of distinction in the academy, in politics and in journalism. Marjorie Perloff offers a spirited demonstration of the incompetence and irresponsibility of much modern poetry reviewing, especially when it is done by poets, who understand poetry so much less well than trained academics; she further and less continuously ...”

“... mind moves. This last feature would make it most identifiable to me, at least in a blind test. Marjorie Perloff, in an admiring essay, thinks ‘The Cut Pages’ is the best thing Fisher has ever done, predictably, I suppose, and the reason he was put on this planet: as a precursor to the so-called L-A-N-G-U-A-G-E poets. ...”

“... Tom Raworth, according to Marjorie Perloff, is the ‘oldest living open-heart surgery survivor, treated in the UK in the first round of heart operations conducted there in the 1950s’. Highlight the ‘survivor’ bit. The last poet left standing in the saloon. (Think Gregory Peck in Henry King’s The Gunfighter ...”

“... that all three translators are sensitive to this. Certainly Zwicky, in her introduction, and Marjorie Perloff, in her foreword to Searls’s translation, seem to betray their own insensitivity to it when they write, respectively, ‘compositions that we intuitively recognise as lyric … are enactive: how they communicate is what they mean,’ and ...”

“... store, such as madly using this letter. I do not wish to write to you again.’ The review was by Marjorie Perloff and appeared in the New Republic:It is Lizzie who becomes the dominant figure in the sonnets, and she is depicted, perhaps unwittingly on Lowell’s part, as Dark Lady or Super-Bitch par excellence. In her letters and phone calls she is ...”