Search Results

“... Two pulp genres​ overlap in the opening to Mariana Enríquez’s novel Our Share of Night. At first it seems like a noir, a political thriller involving law enforcement and menace and outlaw heroes. Everything is taut and fractious: ‘It was already late and he needed to go and that hot day was going to be just like the next: if it rained and he was hit with the river’s humidity and the stifling Buenos Aires heat, he would never be able to leave the city ...”

“... you out: the indestructible sensation that the money will come from somewhere.’ The writer Mariana Enriquez has described Gainza as belonging to ‘the elite of the elite’, attributing the ‘ruined decadence’ of her work to her family’s loss of status. Gainza, who was born in 1975, worked as an art critic before publishing El nervio óptico in ...”