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“... How should​ a visual artist respond to a culture in which the vast majority of images are produced by machines for other machines, with humans left out of the loop? This technological turn complicates basic ideas about mimesis: that images represent the world, that they are meant to be beheld by us, that they mean at all (think of facial-recognition programs alone ...”

“... what he considered to be the most felicitous combinations of those objects and images: photos of Lauren Bacall arranged to look as if they could be in a penny arcade, a Renaissance prince framed in a vending machine, a baby doll in a forest of twigs, a painted lady in a French hotel, marbles among the stars and ballerinas in the sky – each box a dreamed ...”