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“... the first word on the subject, in the nature of things it could scarcely be the last. By contrast, Kenneth Rose’s superb biography will surely stand as the best and most interesting study of George V that we are ever likely to get. There is much greater understanding by the author of his subject, and the public and private lives are brought together ...”

“... a mountain together. Yet all it meant was mountains, and always in your poems the mountains rose, bright as freedom, crystalline as science. Kenneth, you were like Shaw. None of your friends liked you. They loved and sometimes hated, and were held in the spell of a harsh voice reading lines as crystal as runnels of ...”

“... he was, despite his reputation as an imperialist brute. Superior Person, the biography by Kenneth Rose, makes little mention of the bons mots, but some of them exist in what Curzon would have cringed to hear called the popular memory. ‘Gentlemen do not take soup at luncheon’; ‘Dear me, I never knew that the lower classes had such white ...”

“... Hicks sums up the issues between Keynes and Robertson with magisterial fairness and clarity. And Kenneth Rose reveals that Sir Frederic Hooper, the head of Schweppes, ‘detested the fizzy drinks upon which the prosperity of his firm depended’. One can only agree with that ‘poet, playwright, critic, editor and publisher’, T.S. Eliot (whose later ...”

“... And a clutch of recent biographies has toppled several notable royal icons from their pedestals. Kenneth Rose depicted George V as an ogre so boorish and philistine that in retrospect he appears almost pathetically comical. In his books on Edward VIII, Michael Bloch has washed a great deal of the Abdication dirty linen in public, and much of the mud has ...”

“... Castle and stopped corresponding with German relatives. Ridley amplifies a discovery made by Kenneth Rose, whose biography was published in 1983, that the responsibility for rescinding the offer of asylum to the deposed Romanovs lay directly with George. Once captured by the Bolsheviks, the Romanovs couldn’t have escaped Russia anyway, but ...”

“... Between Us Girls in 1957, after he had ended a period of collaboration with his lover and mentor Kenneth Halliwell. A classics scholar and failed actor, Halliwell was devoted to the gay literary canon avant la lettre, and had tutored Orton in the homosexual literary tradition from the Greeks to Genet. ‘Together,’ Francesca Coppa writes in her excellent ...”

“... he drove himself hard. He became skilled enough at the keyboard to consider a concert career, and rose to the rarely achieved grade of Eagle Scout. Kinsey’s father wanted him to become a mechanical engineer, but after two years at a local technological school, Alfred resolved to transfer to Bowdoin College, a small liberal arts school in Maine. His father ...”

“... was out of town, her then boyfriend, Clement Greenberg, brought the painters Morris Louis and Kenneth Noland to her studio to see Mountains and Sea. Louis described it as ‘a bridge between Pollock and what was possible’, and said later that he and Noland immediately began ‘staining’ in their own work. (Greenberg went on to champion them as leading ...”

“... Doyle on the other. It was the only detective story in ballet and was called The Inspectre de la Rose. The choreography was by Fokine. It wasn’t up to much. The usual Fokine rubbish. Ordinarily, good taste in the person of the Lord Chamberlain would have put paid to that last joke. But this was 1968, and Forty Years On was one of the plays on his desk ...”

“... skirts are always the favourite indicator. We all know (or do we?) that between the wars they rose and fell with Wall Street. After seeing Visconti’s The Damned the fashion-writer Alison Adburgham commented (and Shrapnel’s scissors were ready): ‘The film leaves one with a sense of foreboding. If we are to wear the decadent clothes of the 1930s, what ...”

“... of buggery, and nobody could determine that cross-dressing was a crime. ‘Lilac and Guelder Rose’ by Gluck (1937) There are two studio photographs of ‘The Funny He-She Ladies’, as the newspapers called them, in the Tate’s survey of a century and slightly more of queer British art, from 1861 to 1967, the year male homosexuality was ...”

“... and connubium. In Western societies they have operated within the cultural framework of class. Kenneth Ballhatchet takes the equally familiar notion that in colonial societies alien minority rule translated class distinctions into those of race. In India he sees the social aloofness of the ruling white minority as being reinforced during the 19th century ...”

“... Britain duly puts in a guest-appearance: Mrs Thatcher. The Ironised Maiden is in evidence, too, in Kenneth Baker’s anthology of verse parodies, Unauthorised Versions. But then Mr Baker is a Conservative politician, mainstream, main chance. Politically these are authorised versions. One of the entries, by Roger Woddis, sings of ‘The Church of ...”

“... The​ world was rigged against Delmore Schwartz. His mother, Rose, was to blame. After all, it was she who decided on his first name – the ‘crucial crime’, and an expression, he felt, of her ‘brazen gaucheness’, her botched attempt to assimilate into American society. ‘I never heard anybody call him “Schwartz”,’ Dwight Macdonald recalled ...”