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“... There will be many more years –and many more volumes – before the Carlyles’ Collected Letters are brought to completion. Twenty-two more years of Jane Carlyle’s long, witty, sharp, self-dramatising yet oddly attractive litanies about the obstinacy of servants, her husband’s indifference to her, and the annoyances of her lot as a ‘Lion’s wife’ obliged to ‘do the bores’ who come to view the lion himself ...”

“... These volumes are issued as a pair, with a single index, and rightly, because they hold together for a coherent segment of Carlyle’s life. The dominant theme of the two is the writing of The French Revolution: in Volume VIII Carlyle is struggling with the first two volumes, in IX he produces the third, spends four months battling with the proofs and finally sees the whole book published and reviewed ...”

“... there stands English comedy,’ David Frost is reported to have declaimed, as Frankie Howerd and Kenneth Williams stood side by side on his doorstep. Williams was unimpressed. ‘I thought to myself, “Then many people would be lacking in perception,” but shouted drunken goodbyes and reeled down the street into a taxi.’ What these two Titans of comedy ...”

“... coincidence, What a Carve Up! is also the title of a spicy comic film he saw as a child, in which Kenneth Connor drools over a disrobing Shirley Eaton but refuses to join her in bed, as the narrator will similarly refuse a woman friend of his own. (Just for good measure, a radical theorist in the book discourses of Godard and the sway of the signifier, as if ...”

“... World War and a sudden upsurge in reputation, with Maurice Bowra, Stephen Spender, John Piper, Kenneth Clark, John Lehmann and others going hysterical about her: a kind of trendy Stringalong situation, we are invited to judge. Then by 1954 it is all over and the balloon deflated for good. Can my dislike of this piece – a piece executed with great verve ...”

“... ephemeral compilations. Jenny Uglow writes here about them, but her main interest is in Henry Fielding, who was not only a novelist, a playwright and a magistrate but a prolific high-class journalist and editor. In his day there were no book reviews as such, though books might be discussed along with other matters of topical interest. Soon, in the ...”

“... British cinematic imagination can be seen in the differences between Tony Richardson’s two Henry Fielding adaptations, Tom Jones (1963) and Joseph Andrews (1977). Both films are, for the most part, faithful to the spirit of their source novels, but in one extended sequence, Joseph Andrews offers a glaring exception. In Book III, Chapter 7 of the ...”

“... life, much about Sterne’s activities as a controversialist has been uncovered, mostly thanks to Kenneth Monkman. Here is new material to be digested into a biographical account, though perhaps only the enthusiast will read the small print of Sterne’s journalistic input to the York Courant and his squabbles with local would-be power-brokers. Sterne later ...”

“... with what has been logged as ‘the most complained about event in the history of the BBC’: not Kenneth Tynan saying ‘fuck’ on air, or a programme giving equal time to an alleged IRA commander and a loyalist hardliner, or even the proposal to alter the timing of the shipping forecast, but the blanket coverage given to the death of Prince Philip in ...”