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“... six! Oh those sensible editors! what harm they do in the world!’ EBB also makes an appearance in Kathleen Blake’s Love and the Woman Question in Victorian Literature, a study that uses both female writers and characters to explore the tensions between a woman’s self-realisation and her fulfilment through love. Like George Eliot, Elizabeth Barrett ...”

“... Just under forty years ago David Erdman provided for William Blake historical contexts in abundance in Blake: Prophet against Empire (1954). It was a remarkable work of literary detection, which still dominates the field. Some Blake readers have felt that his attribution of correspondence between text and contemporaneous events was over-literal (as well as hazardous), and Jon Mee is one of these ...”

“... to display. Alan Bennett’s Diaries and, of course, Peter Ackroyd’s gold-brick biography of Blake. Bennett, Ackroyd and Jonathan Miller – these were the figures who mattered most. The Christmas parcels of English literature. Enough of threadbare bohemia, paranoid narcissism, chemical tourism through the Third World. Enough of ill-disciplined prose and ...”

“... to make a chain of events comprehensible. The choice of dates, as well as the title, betrays Lord Blake’s theme. In 1915 Britain was still the world’s premier power, challenged and threatened, no longer truly hegemonic, yet superior to any other single rival. As late as 1964, he observes, ‘the rulers of England, Conservative and Labour alike, still ...”

“... Mansfield Park’s view of its own heroine. If we did not know that industrial imagery in William Blake’s work generally carries a negative charge, it would be harder to argue that the speaker of the ‘Tyger’ poem is not Blake himself, a point highly relevant to the work’s meaning. On the other hand, if we discovered ...”

“... in Cardiff. Failure to adjust to his new life, an obsession with time, and too much William Blake led to fantasies of omnipotence and to a physical assault on his old headmaster. This breakdown – and the vision of redemption that accompanied it – lies behind his later statement that ‘in my 23rd year I suddenly experienced a complete revolution of ...”

“... ears’. Jennings talked and talked, a great gush of words: about art, theatre and history; about Blake, Ruskin, Faraday, Milton, Constable and Purcell. William Empson, who studied English with him at Cambridge in the late 1920s, and with whom he started the magazine Experiment, thought of Jennings as ‘quite unaffectedly a leader’ who ‘was rather ...”

“... wrote, poetry makes nothing happen, then the poetry anthology has no such self-effacing qualms. Blake Morrison and Andrew Motion knew this, as did the predecessor they were tussling with, A. Alvarez’s The New Poetry (which was tussling with its predecessor, Robert Conquest’s New Lines). ‘This anthology,’ they wrote in their preface to the Penguin ...”

“... of a nation.’ But nationality still mattered: Seamus Heaney’s reaction to his inclusion in Blake Morrison and Andrew Motion’s 1982 Penguin Book of Contemporary British Poetry was ‘My passport’s green.’ Heaney, preoccupied with ‘the government of the tongue’, was drawn into the arguments about cultural identity, language, gender and ...”

“... his writing is a sustained exclamation at the sensuous marvellousness of being. Reading his work, Kathleen Raine wrote, is ‘like standing under a waterfall in full spate’. Like Blake or Stanley Spencer, Redgrove was a great English visionary eccentric whose way of seeing mixed sexuality with a powerful sense of ...”

“... beginning: I am reading her reading. I am watching F.R. Leavis – who taught Byatt’s mother, Kathleen – drop books into the rubbish bin. I have to think a lot about D.H. Lawrence for some reason; I have to rebut the idea that there are no accidents in novels. It is pertinent, then, that I had no education. Byatt was freed into hers and also enclosed by ...”