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“... Joseph Losey’s The Servant hasn’t lost any of its mystery over the years since 1963; it might even have gained a bit. This is odd because the film seems in many ways so obvious, giving off unmissable hints and signals at almost every moment. But then this obviousness itself is not what it seems to be. What’s obvious about the hints and signals is that this is what they are ...”

“... Claire Bloom, Alexander Cohen, Princess Elizabeth of Yugoslavia, Sir John Gielgud, Hugh Griffiths, Joseph Losey, James Mason, Vincente Minnelli, Mike Nichols, Rachel Roberts, Daphne Rye, Jean Simmons, and three of his wives, Sybil Christopher, Elizabeth Taylor and Susan Hunt. I particularly enjoyed the parenthesis Mr Ferris appended to Hugh Griffith’s ...”

“... Wilson, James Thurber, Walker Evans, James M. Cain, Nunnally Johnson, S.J. Perelman, Dawn Powell, Joseph Mitchell and John O’Hara. Many of these celebrated figures, artists and authors approaching fifty at the start of the decade or only lately past it, grew up in small provincial towns, emigrated to New York in the Jazz Age and worked together in the city ...”

“... winning entry in that contest, Harold Pinter’s Proust Screenplay, written in 1972 for Joseph Losey, but never filmed: a brilliant, synoptic, allusive evocation of the whole of A la recherche du temps perdu. Völker Schlöndorf’s film Swann in Love (1983), by comparison, adapted just the second section of Proust’s first volume (about two ...”