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“... In ‘Reading Montale’, an essay appended to his translation of the poet’s first three books, Jonathan Galassi considers the old and especially Mediterranean association of poet and cicada and its recurrence in Montale’s poems. Feeble sistrum in the wind of a lost cicada, no sooner touched than done for in the exhaling torpor is how ...”

“... Montale’s critical achievement in its full, rich and all too easily misrepresented subtlety. Now Jonathan Galassi has arrived to save the day. His style does not always catch Montale’s easy rhythm, but much of the time he comes close, and the explanatory notes on their own would be enough to tell you that he has mastered all the necessary background ...”

“... your work and not your life, if you don’t mind. ‘Bob’s patrician manner was self-created,’ Jonathan Galassi told me, ‘deliberately low-key, warm yet self-protective.’ The thing was to keep moving forward and not look back. Even at Barbara Epstein’s wake, held in her apartment on West 67th Street, Silvers was keen to work. ‘I think you ...”

“... eel with the gleam in somebody’s eye. Of the many English versions (Robert Lowell, Jeremy Reed, Jonathan Galassi, Tom Paulin and so on), McKendrick rightly chooses Paul Muldoon’s. Inseparably inventive and close, his ‘Eel’ is like its namesake: it departs from its origin only as a way of returning to it. At one point, Muldoon sends the eel ‘to ...”

“... done? By trampling on the accepted rules of perspective, for one. In an essay written with Peter Galassi, Varnedoe showed that Caillebotte brought the viewpoint of his paintings – the eye’s distance from the imagined ‘window’ framing the depicted scene – as much as five times closer than was recommended by painting manuals, with exactly the ...”