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“... Techniques of the Observer: On Vision and Modernity in the 19th Century (1990), the first book by Jonathan Crary, now Meyer Schapiro Professor of Modern Art and Theory at Columbia. The recent move to digital modes of image production and distribution had prompted Crary to reflect on revolutions in visuality in the ...”

“... of capitalism’, and the Obristian motto ‘Don’t Stop’ perfectly suits the work regime that Jonathan Crary called, in a recent polemic, ‘24/7’.3 Second, the shift in exhibition-making with Szeemann and König has had ambiguous consequences, which might be captured by way of a statement made by Jean-François Lyotard – ‘the exhibition is a ...”

“... Opera. They are baffled by the absence of the profit motive.There are other possibilities. Jonathan Crary says that ‘Mabuse is the name of a system’ and that ‘Lang is less interested in the nature of an emotional tie to a charismatic figure than he is in a diverse technology of influence. The protean Mabuse, in his multiple masks and ...”