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“... question and her grace is hardly compatible with so low and ludicrous a subject. In Only Connect John Shearman also objects to this theory, not for prudish reasons but on technical grounds: Velásquez ‘has not given us the geometrical information that would allow such a calculation to be made’. However, ...”

“... of the picture’s export from Italy was raised. Meanwhile, the attribution to Raphael made by John Shearman, the prominent Raphael scholar who was then at the Courtauld Institute, was widely challenged, sometimes in very strong terms. And then the picture had to be returned to Italy. It must have seemed as if the Museum of Fine Arts had been copped ...”

“... consumption in eight different countries. In particular, there is a very full and clear account by John Shearman of the complex building history of the chapel, its liturgical function, the programme of the 15th-century decorations, and of Raphael’s tapestries. There is also an article by Michael Hirst which subjects to scrutiny the fragile sheets from ...”

“... social life. The major single piece of progress has consisted in a documentary discovery made by John Shearman and Webster Smith. They showed that the painting originally hung not in the villa of Castello, which belonged after 1477 or 1478 to Lorenzo’s cousin, Lorenzo di Pierfrancesco de’ Medici, but in Lorenzo di Pierfrancesco’s city house – a ...”

“... citing the suggestion that for South Africans ‘the rugby scrum was symbolic of the laager,’ John Nauright and Timothy Chandler enter the reservation that ‘such notions can be taken too far.’ Indeed they can. An inward-facing huddle of wagons, their occupants locked in some obscure struggle of their own, would have presented little problem to a ...”