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“... space for any genre, any costume and any voice. You can make it a detective thriller, like John Lawton’s Riptide, set in London in 1941, featuring Sergeant Troy of the Yard. You can make it modern picaresque, a frenetic burst of lyrical futurist imagery, like Rodney Hall’s The Day We Had Hitler Home, which is haunted by the presiding ...”

“... For Tolstoy and Hemingway, as for Homer, writing about war was the natural thing. They did not exactly worship the demands of ‘hateful Ares’, as Homer calls him; but they knew that war as hell was the proper field of the heroic, and thus of narrative itself. The story of what happens in a football match today is our equivalent of yesterday’s battle; and it can be established later, as game, in the same heroic sequence ...”

“... but the sheer coincidence of a Jacobean dramatist and a legendary director sharing the name John Ford. So perhaps it takes a formalist to know one. But the contemporary formalist whose approach converges most sharply on Herbert’s is the sculptor Cornelia Parker. For a piece called Measuring Liberty with a Dollar (1998), for instance, Parker took a ...”

“... legal adviser and a government minister. Nothing has been done to act on the advice. In 1977 John Gouriet and his Freedom Association tried to obtain an injunction to stop the Union of Post Office Workers boycotting mail destined for South Africa. Gouriet’s lawyers recognised that he had no personal standing and therefore needed the ...”

“... On 15 June 2009, Gordon Brown announced an inquiry into the Iraq war – to investigate, as Sir John Chilcot, the inquiry’s chairman, put it, ‘the UK’s involvement in Iraq, including the way decisions were made and actions taken, to establish, as accurately as possible, what happened and to identify the lessons that can be learned’. Although oral ...”

“... Everyone was connected, one way or another. Three of Albertina’s brothers – Jimmy, Francis and John – joined the occupation, along with their uncle, Eddie. ‘It was like no other department in Cammell Laird’s,’ Albertina says. ‘Because it was all younger lads. And it was full of comedians. It was a joy to go into work. You’d rather go into work ...”