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“... turn the matter into a stamping-ground for weird fancies and fantasies. This has been a tendency. John Heath-Stubbs called West Penwith         a hideous and wicked country, Sloping to hateful sunsets and the end of time.A painter friend of Marsden’s ‘watched low clouds drift in over the sea and felt that each one was smothering her, wrapping ...”

“... Its distance from FitzGerald can be nicely gauged now from the excellent literal translation by John Heath-Stubbs and Peter Avery. Yet Omar and FitzGerald have one important thing in common: they are both deadpan, using the form, however different its effect in Persian and English, to conceal as much as to reveal. As a 13th-century manual of Persian ...”

“... The first volume of John Lehmann’s autobiography, published in 1955, starts: When I try to remember where my education in poetry began, the first image that comes to mind is that of my father’s library at the old family home of Fieldhead on the Thames. It is an autumn or winter evening after tea, for James the butler has been in to draw the blinds and close the curtains, and my father is reading under a green-shaded lamp ...”

“... his intellectual commitment to incarnation, he was liable also to question material reality. John Heath-Stubbs quotes him as saying that ‘the most difficult thing in the world … is to realise that other people exist.’ He was capable of writing both an ode in praise of shitting and a poem in which such everyday acts as washing oneself become ...”

“... for instance, Burns Singer, one of the most original poets of the Fifties, or David Wright and John Heath-Stubbs. All three were friends of Graham, and their inclusion might have helped the Forties and Fifties out of their New Apocalypse v. Movement stand-off. Hamish Henderson, whose 1948 Elegies for the Dead in Cyrenaica (reprinted by Polygon in ...”

“... verse (from Anon on the structure of the cosmos – ‘as appel the eorthe is round’ – to John Updike on cosmic gall), is therefore fighting a lost battle. The editors make out a brave case for the similarity of poet and scientist (‘the starting-point for both of their activities is the imagination’), dispute old distinctions between ...”

“... Intellectuals and the Masses (1992), his influential study of elitism in 20th-century literature, John Carey writes about the ‘duplicity’ of Joyce’s Ulysses, a novel supposedly about love for the common man, but written in such a forbidding way that the common man is unlikely to read it. Well, The Lord of the Rings is the opposite. It is a work written ...”