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“... The government of Securitania deports some supposed enemies of the people and puts others under house arrest; public scrutiny of these measures in the ordinary courts is denied. Disruptive people against whom no crime can be proved are subjected to orders obtained from magistrates on hearsay evidence that make it a crime in future for them to do ordinary things (such as going shopping) that would not be a crime if done by anyone else ...”

“... During the break-up with Kimberly Quinn that precipitated his break-up with the Home Office, David Blunkett is reported to have warned her: ‘The law is on my side. I know because I made the law.’ It doesn’t quite have the melodramatic chill of Judge Dredd’s ‘I am the law,’ but it comes close. And it’s easy to imagine Blunkett saying it, for it nicely sums up the tragically self-important view he took of himself, and of the executive branch of government, during his time in office ...”

“... about – in the parlance of creative writing schools – what they “know”.’ She quotes John Gardner saying that ‘great writers tell the truth exactly – and get it right.’ But, she says, ‘for the modern British – more to the point, English – novelist, this notion of truth is a little obscured and inaccessible.’ Historical novels ...”

“... like Joseph Heller and publish a novel every seven years or so, or a “brilliant” writer like John Gardner and write obscure books for bright academics who eat macrobiotic foods and drive old Saabs with faded but still legible GENE McCARTHY FOR PRESIDENT stickers on the rear bumpers.’ Instead of which he is the ‘King of Horror’ who had his face ...”

“... not only because he worked hard at them, but also because he listened to advice, especially from John Gardner but also, more remotely, from Hemingway, Chekhov and V.S. Pritchett. One of the things he learned was the need for arduous revision, draft after draft. Another lesson was that the writer needs to trust the tale. Lawrence notoriously advised the ...”

“... over the horizon, is set against their present predicament. Nor am I in the least convinced by John Arden’s ‘The Fork in the Head’, in which Fionnuala, an Irish Republican/Trotskyite activist, rushes off to a political meeting in Galway, leaving her disenchanted English husband, Jackson, to potter about the house and environs. He has a dream in which ...”

“... we need to know about Julia’s social position. Unobtrusive effects like this help to explain John Braine’s statement, reproduced on the dust-jacket of this new recruit to the trilogy, that a ‘whole generation of writers is in William Cooper’s debt, just as the previous generation was in James Joyce’s debt’. But this comparison, justified though ...”

“... what he’s set in motion. ‘As a fiction writer,’ he said in a 1978 debate with the novelist John Gardner, ‘you hope that the amount of meaning that you can pack into the book will always be more than you are capable of consciously understanding. Otherwise, the book is likely to be as thin as you are. You have to trick your medium into doing far ...”

“... and this is very well done by Anthony Veiller for the Siodmak movie, with uncredited help from John Huston and Richard Brooks. The Siegel film, written by Gene Coon, borrows the plot from the first but transposes scenes and careers: New Jersey, Philadelphia and boxing become Miami, California and car-racing. The stars change too: Burt Lancaster and Ava ...”

“... that it was, somehow, their home. Johann Burckhardt, William Thomson (known as Osman effendi), John Gardner Wilkinson, Robert Hay and Edward Lane also ‘went native’ on their travels. Like Champollion, they aped the robes and turbans of the Ottoman ruling class, browned their skin, and made a show of living in ‘Oriental’ style. Hay, Burton and ...”

“... of an eccentric view of Donne. To understand that view, here documented in full and supported by John Haffenden’s conscientious and adulatory commentary, one point at least is essential. Empson found it all but impossible to believe that any intelligent and honest person could be a Christian. A lot of his work is devoted to showing that even writers who ...”

“... One day Ava Gardner dropped by the studio publicity department at MGM. She wanted to take a look at all those cheesecake photos they were always taking of her: throwing a beach-ball; licking an ice-cream cone. A drawer full of images was spread out before her. After a little while, according to Lee Server’s new biography, she ‘kind of shrugged, and she said: “Jeez ...”

“... and in those getting good results in their A-level examinations, would continue.’ But for Helen Gardner, who served at that time on the Robbins Committee on Higher Education, those confident extrapolators of trends figure cosily enough as ‘our statisticians’; and she is not assailed by any suspicion that she, as representing the literary imagination on ...”

“... from Four Quartets have been checked against the first English edition (1944) as given by Helen Gardner; all other citations have been checked against CPP [The Complete Poems and Plays of T. S. Eliot, 1969].’ This is pointlessly inconsistent, since it means that some of the texts have been corrected to the text they first had in volume form (not their ...”

“... heroes outwit von Stumm and Hilda von Einem as they did in Greenmantle. Giles Railton, the hero of John Gardner’s novel, is a scion of the landed gentry and works in the mysterious upper reaches of the Foreign Office. There he recruits his offspring and nephews and nieces into the ranks of the secret service, just in time for the First World War. But ...”