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“... A story, as John Burrow says of his own History of Histories, is selective. It looks forward ‘to its later episodes or its eventual outcome for its criteria of relevance’. Hence a difficulty: The impulse to write history has nourished much effective narrative, and narrative – above all in Homer – was one of the sources of history as a genre ...”

“... but even more so because its sensational image may encourage false, 20th-century expectations. But John Burrow will not mind. He writes to burst joy’s bubble upon the tongue. A Liberal Descent, like the works of 19th-century historical scholarship that it discusses, is written out of a tradition that respects personality (which is not at all the same ...”

“... account he gives. One must assume that ‘economic and social history’ means everything from Sir John Clapham and Max Weber to the theory of mental states, the study of working-class culture, anthropology, demography, political sociology and social psychology, urban history, the study of the family, and the history of science and technology. Would Kenyon’s ...”

“... 1640, 24 years after Shakespeare’s death. That edition, however, involved wholesale revision. John Benson, the publisher, capitalising on the undiminished sales of Venus and Adonis, produced a volume of what looked to be not old-fashioned sonnets but new Shakespeare love poems. The transformation involved both format and erotics: many of the sonnets are ...”

“... Donald Winch has long been known for path-breaking studies of the Smithian and Keynesian epochs. John Burrow’s elegant anatomy of the evolutionary paradigm in Victorian Britain has recently been succeeded by a rightfully acclaimed historiographical work. Though three names appear upon the title page, they have pooled their intellectual capital to a ...”

“... in the cycles of year, month and day, and in the linear time of history’. In the second half, Burrow turns from theory to practice, and examines how, in Medieval narratives, people are praised or blamed for conforming, or for not conforming, to the natural pattern of a man’s life. Chapter Three, on the ‘transcendence’ ideal, shows how men were ...”

“... early modern equivalent of the yellow highlighter. According to the Jacobean educational writer John Brinsley, ‘the choycest books of most great learned men, and the notablest students’ were marked through, ‘with little lines under or above’ or ‘by some prickes, or whatsoever letter or mark may best help to call the knowledge of the thing to ...”

“... It is doubly appropriate that Professor Burrow’s 1985 Carlyle Lectures were published in 1988, for the year that marked the tercentenary of the revolution whose principles became the touchstone of Whig orthodoxy also turned out to be the year in which, after well over a century, the term ‘Liberal’ lost its separate identity in our political vocabulary, having become merged in a composite destined to be known for short as ‘Democrats ...”

“... familiar with both sides of this disciplinary regime; and his references to schoolboys, as Colin Burrow observes, ‘tend to go along with sighing, crying or peevishness’, suggesting that ‘the acquisition of learning [was] a painful business.’ In The Merry Wives of Windsor, Parson Evans attempts to show off William Page’s learning to his mother; but ...”

“... suspicious, or lost, while the arc-lights decayed and the souls of the dead went to dust in a burrow of clinker. Weather Report A chill grey over our heads at summer’s end; the road like a ditch at Beley: aquaplane and sidelights through the smirr of afternoon; yard brushes lost in the mud and carrion hay on the fields, where crows go to pick at the ...”

“... before they blur into the rain, the splay-crack in the ice, the hidden culvert, how anything can burrow to the heart or chill the soul: a black wind off the sea, a confidence misplaced, some casual lie, those days out when the party stays too long and lets the fever in; and yet, till then, he has those blessings he and his can muster, bread and lard, a ...”

“... for a while. “So?” “So?” “So?”’ – and so on. The narrator of Carry Me Down is John Egan, an overgrown 11-year-old, who wants to find a place in the Guinness Book of Records as the first ever human lie detector, or polygraph, as he prefers to think of himself. (Hyland’s adolescents have the autodidact’s love of big words.) Bad lies make ...”

“... John Crowley’s novels are hard to describe. His best one, Little, Big (1981), is probably something you might call ‘fantasy’. It contains talking trout, and little people, and witches in New York, and an attempt by the Emperor Frederick Barbarossa to rule the world again, which is thwarted by a family who possess a magic deck of cards ...”

“... is a set of philosophical meditations which belongs on the shelves next to, say, John Stuart Mill’s On Liberty. But Murray’s preface explains that ‘natives and some incomers habitually say “on” Bunyah rather than “at” or “in”.’These poems are mostly about the history of Bunyah, its inhabitants human and animal, and what it ...”

“... to survey this vast body of scholarship without becoming overwhelmed.This is the challenge Colin Burrow has set himself in Imitating Authors: Plato to Futurity, a long and dense book that in less expert hands would be much longer and denser. Burrow’s home turf is early modern English literature, but he is an early ...”