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“... face clamorous demands for political and economic reform from Ireland as well as the disarray of John Company in the Indian sub-continent. The victory of 1763 had been robbed of most of the, spoils. The theme of the next stage of Christie’s story is that of recovery, a recuperation largely explained by the resilience of the British economy and the ...”

“... the way in which historians have developed the interpretation advanced by Colley’s mentor, Sir John Plumb, in his now classic The Growth of Political Stability. Plumb’s book, which brilliantly delineated the change from the political chaos of the 17th to the political order of the 18th century, was such a tour de force that ever since most historians ...”

“... British social history, for so long in protracted adolescence, seems finally to have come of age. The work of two generations of researchers, led by such avatars as Alan Everitt, Peter Laslett, J. H. Plumb, Lawrence Stone, Keith Thomas and E. P. Thompson, now constitutes a substantial body of knowledge that has transformed our conception both of British history and of what constitutes legitimate historical inquiry ...”

“... Thomas Bewick was a creature of paradox: an artist who laboured as a craftsman, a proud provincial whose work achieved national fame, a portrayer of the countryside who spent most of his life in an industrial town, and a rational man of the Enlightenment who fed the fierce streams of Romanticism. Thanks to four people – Bewick himself, who wrote a marvellous autobiographical Memoir, his two spinster daughters, who nursed and guarded his reputation with ferocious filial piety, and now Iain Bain, whose sympathetic but rigorous scholarship is epitomised by his two-volume monograph on Bewick’s watercolours and drawings – as much is probably known about Bewick, despite his minor status among the luminaries of British art, as about any other native artist ...”

“... In a book as lively, as diverse and as rich as the society it describes, Neil McKendrick, John Brewer and their joint mentor, Sir John Plumb, have gone far to rectify this omission. Moving from pots to strops, McKendrick explains the varied entrepreneurial skills of a tycoon, Josiah Wedgwood, and a comparative ...”

“... they were accessible to all who could pay the price of admission. One of the leading characters in John Brewer’s The Pleasure of the Imagination was a visitor to pleasure gardens. Anna Margaretta Larpent was a moderately prosperous lady living in London in the late 18th century, married to the state official responsible for vetting plays before they ...”

“... The mutable nature of our relationship with the past is the underlying theme of Sentimental Murder, John Brewer’s compelling and surprising pursuit, across two and a half centuries, of the events of a single evening in 1779. What happened in Covent Garden on 7 April was simple enough and largely undisputed at the time or later ...”

“... subjects might as well have stuck their heads through a hole in a pre-painted background. But as John Brewer emphasises in his catalogue essay, the Tour was more socially mixed than it might appear. Basset, the biggest spender among the consigners to the Westmorland, was not an aristocrat but the beneficiary of a recent family fortune made from Cornish ...”

“... and to co-ordinate and finance standing armies. Nearly a decade ago, in The Sinews of Power, John Brewer undermined the foundations of this view of British exceptionalism with his portrait of an 18th-century British state that was, in key respects, large, strong, militarised, modern and highly bureaucratic. The British Navy, no less than Continental ...”

“... wars, the eruption of 1794 was, at least from a cartoonist’s point of view, fortuitous.John Brewer’s large and somewhat rambling survey of the cultural significance of Vesuvius begins with an attempt to draw a single thread from this tangled story. He starts with a visitors’ book, now in the Harvard library, which covers the period from ...”

“... and stability with Leviathan unbound rather than with an unusual degree of constitutional liberty. John Brewer’s paean to the ‘fiscal-military state’ is the most impressive analysis of the way 18th-century Britain actually worked since Lewis Namier anatomised its parliamentary and electoral system in The Structure of Politics at the Accession of ...”

“... rumour could get about that Radicalism was really nothing more than a misplaced desire to tease. John Wilkes met all these criteria, and was therefore much loved. Peter Thomas has produced the first serious study of Wilkes for some years. This neglect is surprising, in that Wilkes was the quintessential English Radical. With few teeth, a pronounced lisp and ...”

“... put political cartoons on the map. The print-makers of the 1760s had a field-day with a heroic John Wilkes (‘Wilkes and Liberty’) and with Lord Bute as Public Enemy Number One (no fewer than four hundred anti-Bute satires appeared, mainly sporting a jackboot and a petticoat inscribed ‘no petticoat government’, in reference to Bute’s alleged ...”

“... to the important collections of essays edited by J.S. Cockburn (Crime in England, 1550-1750), by John Brewer and John Styles (An Ungovernable People?) and by V.A. Gatrell, B. Lenman and G. Parker (Crime and the Law); to the implications of the work of Peter Laslett; and above all to the burgeoning number of studies of ...”

“... coming to the rescue of a government unable to finance its costly foreign wars. Indeed, Sir John Clapham, at the opening of his magisterial 1944 history of the bank, speculates that ‘had the country not been at war in 1694, the government would hardly have been disposed to offer a favourable charter to a corporation which proposed to lend it ...”