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“... The tenth and central chapter of Michael Slater’s biography is entitled ‘Jerrold, Dickens, Thackeray’. This, as Slater reminds us (often), is the company his contemporaries expected Douglas Jerrold to keep. Some partisans might even have thought Slater right to put him first ...”

“... while his best – on clowning, Kyd, Mucedorus – are really first-rate. Ann Pasternak Slater’s new book is, by contrast, consistently disappointing. And that’s a pity, because the subject – Shakespeare’s articulation of his plays through explicit and implicit stage directions – is a good one, and oddly neglected. We certainly need a book ...”

“... who held strong opinions about virtually everything, had his own view of such occasions. Michael Slater notes his ‘embarrassment’ and ‘irritation’ at the Shakespeare tercentenary celebrations of 1864: always for Dickens the best way for a writer or any other artist to be remembered was not through biographies, unless they redounded as much to the ...”

“... as for most men, the Puritan Revolution was probably a wretched time. Among the rich, as Miriam Slater observes in Family Life in the 17th Century, it brought chaos and contraction to the land market and so to the marriage market. Among the rest, war brought severe hardship. In straitened times women proved useful in suppliant roles. Men sent women to plead ...”

“... could not, for the life of me, understand. It wouldn’t be until 1872, when the first volume of John Forster’s biography appeared, that Dickens’s wife and children learned about the pots of boot blacking he’d covered (‘first with a piece of oil paper, and then with a piece of blue paper’) for ten hours a day, six shillings a week, while his father ...”

“... a certain age. We shall be lucky if most of them have such benevolent ideas. The hero, Christian Slater, is trying to set up a drug deal, and needs to make contact with the man who will take him to the man. Where are they to meet? He asks his wife, Patricia Arquette, and she says at the zoo in the script, at the roller-coaster in the film. They meet at the ...”

“... voice begins to be heard. What is unusual in his case is not extreme precociousness – he was no John Stuart Mill – but a relatively early settling-in to a way of looking at things and a way of expressing it. Russell was, of course, always of well above average ability, but it was only in his mid-twenties that he began to appear exceptional. The practice ...”

“... falling away. The Sunday Telegraph has ceased its passionate flirtations with nostalgia. Besides, John Major is either dismantling some of what she did or failing to conceal his embarrassment at the consequences of what he cannot undo. In the balance between exalting the Thatcher years and distancing itself from them, the Major Government has slowly but ...”

“... career and turned his hand to best-selling fiction. (Like the other twice-born success, Jim Slater, Archer also dabbles lucratively in children’s fiction.) With a shrewd eye to the market, Archer evidently decided that there was more yield in America than in Britain. Many readers may well assume that this tatty rewrite of the American dream was done ...”

“... crows, is an interesting opera by a composer who has now, regrettably, stopped composing. The poet John Birtwhistle supplied David Blake with the libretto for his unusual opera, The Plumber’s Gift. David Malouf has devised a Kipling libretto, Baa Baa Black Sheep, for Michael Berkeley. Blake Morrison is, with the composer Gavin Bryars, engaged on an operatic ...”

“... violence: it is a survivalist world, bleak and uncompromising – the world of competitive chess. John Healy arrived there, without papers or proof of identity, a drowning man coming up for the last time. It was his only way of escaping from the slow-motion suicide of alcoholism, and he took it with manic relish. His book, The Grass Arena, is a devastating ...”

“... even to be thinking of having children) may have been caused by George Mole or by Lucas. Doreen Slater (‘Stick Insect’) is certainly pregnant by George Mole. By the end of the second book Adrian has witnessed his sister’s – half sister’s? – birth, a death and a cremation. He has taken his mother to the National Insurance office to fight ...”

“... The Berni Inn and the denim loons – ah, yes. The Blue Nun. The chicken-in-a-basket. And John Denver singing ‘Annie’s Song’. Marvellous. But Coe also includes the text of a speech given by one of the characters in later life, looking back on the 1970s, and complaining that ‘people forget about the 1970s. They think it was about wide collars ...”

“... in an area known as New Town or Mile End, just on the outskirts of Portsmouth where his father, John Dickens, worked in the Naval Pay Office. His mother, Elizabeth, is reported to have claimed that she went to a ball on the night before his birth; but no ball is mentioned in the area for that particular evening and it is likely that this is one of the many ...”

“... of sheer doggedness that made him so formidable a defender of men like George Edalji and Oscar Slater, whom he saw as languishing in prison (or even, as in Slater’s case, under threat of the gallows) as a consequence of judicial error compounded by bureaucratic intransigence. Over all this ground great honour has to be ...”