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“... In 1827, Thomas Carlyle, already the translator of Goethe’s Wilhelm Meister’s Apprenticeship, was invited by Jeffrey, editor of the Edinburgh Review, to ‘Germanise the public’. Jeffrey issued the invitation cautiously, even negatively, asking Carlyle to temper his enthusiasm for ‘your German divinities’ – an enthusiasm he could scarcely understand, let alone share ...”

“... The story so far is this. Johann Wolfgang (not yet von) Goethe, the prodigiously talented son of a prosperous Frankfurt citizen, startles his compatriots with a furious and rambling play, Götz von Berlichingen (1771), which effectively inaugurates modern drama in Germany ...”

“... Goethe’s most famous novel was once a Europe-wide sensation. There were Werther-themed prints, figurines, jewellery, perfume, fans, crockery and men’s clothing. The novel itself first appeared in English in 1779, as a translation of a translation: The Sorrows of Werther: A German Story was based on the French version ...”

“... in Ulbricht’s Germany naturally devolved upon Eisler himself when he settled in Berlin in 1950. Johann Faustus, the libretto Eisler wrote in close discussion with Brecht in 1951 for an intended opera, was, among other things, a continuation of the dialogues with Bloch by other and very different means (including some derived from Bloch’s ‘own’ Thomas ...”