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“... In 1967​ Jane Bowles was convalescing in a Málaga psychiatric hospital when a friend brought her the reviews of her Collected Works. The book, which carried an introduction by Truman Capote, had finally brought Bowles’s writing to a wider audience than what she called ‘my five hundred goony friends ...”

“... The final section of Paul Bowles’s most famous novel, The Sheltering Sky, is prefaced by a quotation from Kafka that encapsulates the narrative trajectory of just about everything Bowles has ever written: ‘From a certain point onward there is no longer any turning back. That is the point that must be reached ...”

“... He’s my enemy,’ Jane Auer recalled telling a friend when she first met Paul Bowles. But she immediately followed him to Mexico even so and, though she had been and would always be much more drawn to women, married him less than a year later. The instinct to court an ‘enemy’ rather than an admirer may have been a shrewd one: it seems to have been especially difficult for Bowles’s admirers to do her justice ...”

“... Long before the sin of Orientalism was discovered, Paul Bowles had frequently been guilty of it, in word, in thought and in deed. In his first stories, for example, the natives are shining examples of naked otherness, created partly to refresh our view concerning the mixture of simplicity, guile and sexual beauty available in remote places ...”

“... her own pupil, with unfortunate results. Pupillage at any stage of her career is inconceivable of Jane Bowles. Two Serious Ladies, a novel begun when she was 21, is a strangely mature and confident achievement of a totally original sort. When her characters speak it is to an effect at once inconsequent and inevitable, piercing and tangential, wholly ...”

“... such diverse inhabitants as McCullers, W.H. Auden, Benjamin Britten, Gypsy Rose Lee, Paul and Jane Bowles and Richard Wright. (Auden seems to have been an especially terrible housemate, complaining about excessive use of toilet paper and telling people their colds weren’t physical but mental.) Carson was one of the original members; she arrived ...”

“... made crucial contributions to the poetry counterculture of the 1950s and the 1960s, Helen Adam, Jane Bowles, Elise Cowen, Hettie Jones, Lenore Kandel, Joanne Kyger, Denise Levertov, Josephine Miles, Anne Waldman among them. Many of these women, identified by Joyce Johnson in her memoir as Minor Characters, are now major figures in postwar American ...”

“... like the opacities of A Nest of Ninnies – though on a very different level of intensity – is Jane Bowles. A Nest of Ninnies sustains itself by a quite amazing inventiveness. Although it reduces all externals, all conceptions of character, to a vast private joke, within these self-imposed limits the novel manages to create, out of its own ...”

“... a large black poodle across America for the (Thomas) Manns; she drank cocktails in Paris with Jane Bowles and Martha Gellhorn; in Grasse and California she cooked and ate with M.F.K. Fisher and Julia Child. And when she settled in England in the 1960s, Elizabeth David told her that the bit in her first novel about a dinner of sea urchins, ‘heaped ...”

“... the sense of place that In the Dark really lacks. To write about Bath without invoking echoes of Jane Austen would be quite an achievement; to write about it in a deliberately Austenian manner takes even more nerve. But for most of ‘The girl who had lived among artists’ Colegate brings it off. The story is set in the 1930s, in a distinctly ...”

“... anywhere but in the economic or cultural heartland of the global American imperium. Except for Jane and Paul Bowles in Morocco, only Robert Stone and Joan Didion suggest themselves, and neither of them is associated closely with any one setting. On the whole, American writers seem convinced that the vital features of ...”

“... Hutchins’s novel need be read solely as displaced autobiography. Like similar forays by Barnes, Jane Bowles or Carson McCullers, Victorine makes its claim on us precisely because it transcends whatever idiosyncratic psychic turmoil it may once have registered. No, Hutchins will never please readers who judge Flaubertian self-effacement essential to ...”

“... of noble adventure (they had known each other three months, we had known each other nine).’ Jane and Paul Bowles are always on the move – so are she and John. Zelda and Virginia Woolf had debilitating periods and headaches – she does, too. How far can she go? In one scene, she looks at Simone Weil. ‘I am Simone ...”

“... with Carson McCullers, Gypsy Rose Lee, Benjamin Britten, Peter Pears, Chester Kallman, Paul Bowles and Jane Bowles, among others, he wrote in his diary: ‘What an epic one could write about this!’ Soon Golo too moved in, having escaped from the Nazis by walking over the Pyrenees with his uncle Heinrich, Alma ...”

“... Russes dancer Tamara Karsavina; the photographer Berenice Abbott; modernist designer Eileen Gray; Jane Heap and Margaret Anderson, editors of the avant-garde literary magazine the Little Review; not to mention Colette, Gertrude Stein and Alice B. Toklas, Djuna Barnes, Romaine Brooks, Virginia Woolf, Janet Flanner, Vita Sackville-West, Greta Garbo, Marlene ...”