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“... one wants to know. The first is the date of the entries; the second is the age of the author. James Lees-Milne was 36, rising 37, when he started this record on 1 January 1946. He had, however, kept a diary before, during the years of the war, and abandoned it only three months earlier, so he starts here with a practised hand. The wartime diaries ...”

“... Of the seven volumes of diaries published over the years by James Lees-Milne two have now been reissued as rather grand paperbacks, along with an eighth, a final hardback selection made by Michael Bloch. They all have titles like Ancestral Voices, Caves of Ice, Through Wood and Dale, Midway on the Waves and Prophesying Peace, and it will not escape the notice of the literate public that they are all derived, one with a bit of a spin on it, from ‘Kubla Khan ...”

“... the series gave me my first sight of the work of T.S. Eliot, Virginia Woolf, and I believe James Joyce, though I learn from the volume before me that Sir John Reith, reigning at the BBC, forbade Nicolson to mention Ulysses, then banned. Little encounters of that kind were to be expected in those days, and Nicolson seems not to have attempted to reason ...”

“... child was Georgiana’s (the event has echoes of the ‘warming-pan affair’ which embarrassed James II’s Queen). Having given her husband a long-wanted male heir, the Duchess naturally expected him to pay off her prodigious gambling debts. This he failed to do. Soon she became pregnant again, this time by a future prime minister, Earl Grey, who in years ...”

“... Anyone who knew or knew of James Lees-Milne in his later years might have formed the impression of an exquisitely polished round peg in a perfectly round hole. Aesthete, diarist, wit, he had known everyone from the Mitfords to Mick Jagger and wrote about them amusingly. His work for the National Trust over three decades had made him personally and professionally familiar with most of the great houses of England ...”

“... James Pope-Hennessy, who was murdered in 1974 when he was 58, will be remembered for several of his books, among them London Fabric, an architectural study made in the nick of time in 1939, a young man’s book which has worn well; the two volumes of his life of Monckton Milnes, Lord Houghton; Verandah of 1964, with its autobiographical element added to family and colonial history; and the excellent Queen Mary (1959), an unusually sympathetic study ...”

“... One of the many contradictory qualities of the British,’ James Lees-Milne rightly notes in his attractive if angry anthology in piam memoriam Bladesover, ‘is to revere, and even lament, the things they are in the process of destroying.’ You cannot, he seems to be saying, have conservation without destruction, or a stay of execution without a sentence ...”

“... good reasons for his lack of success. He was well-known for his numerous homosexual affairs: Mr Lees-Milne says that he ‘was not passionate but very lustful’. His tastes were a serious handicap when the act was criminal even between consenting adults. The extent of the veil drawn over such matters even in the supposedly uninhibited 1920s is shown by ...”

“... was a moving force behind the National Trust’s new Country House Scheme, recommending James Lees-Milne for the job of historic buildings secretary and also helping to define the aesthetic which would be built up around the preserved country house. In English Country Houses (1941) she started to theorise the English country house in terms that ...”

“... Revisited all played their part. But no step was more important than the appointment in 1936 of James Lees-Milne as secretary of the National Trust’s Country Houses Committee. The story of how this Baroque-loving, Etonian aesthete travelled the length and breadth of the country, persuading indigent owners to hand over their properties to the Trust in ...”

“... like that at the Villa Mauresque. The book should have a special piquancy for those familiar with James Lees-Milne’s sparkling volumes about the years he spent flitting round stately homes during and after World War Two, making the most of such high life as was going. The most recent volume is Midway on the Waves; the others, all with titles lifted or ...”

“... such house, which happened to be near Oxford, was rented by Maurice Hastings, a man described by James Lees-Milne as ‘a capricious alcoholic ... rich, clever and slightly mad’. Hastings would lash his landlord’s family portraits, which were by Kneller, with a hunting crop, and fire his rifle at the private parts of the garden statues. ...”

“... of it or not, all four of them also betray confusion, flux and anxiety. The dust-jacket blurb of James Lees-Milne’s People and Places suggests this right away. His book, it tells us, is an ‘extraordinary, amusing and touching picture ... of an England now lost’. The story will be a familiar one to those who have read his published diaries. In ...”

“... Before the middle decades of the 20th century, when, thanks to the pioneering scholarship of James Lees-Milne and Roy Strong, Larkin’s identity was established and his oeuvre began to be reconstructed, paintings such as those in the Suffolk Collection were often referred to as ‘carpet and curtain pictures’ and attributed, for want of a better ...”

“... there like Queen Mary’ was to indicate that a terminal blight had been cast over the occasion. James Pope-Hennessy, born in 1916, belonged to that generation. He came from a distinguished Catholic and literary family and was a friend of many of his most interesting contemporaries, Cecil Beaton and ...”