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“... an apologist for the post-structuralist critical modes typified by the work of Roland Barthes and Jacques Derrida, yet he writes without the supercilious tone of the former or the soporific word-play of the latter. Nor does Culler indulge in cheap vilification of opponents, suggesting that unwillingness to buy the whole post-structuralist bill of goods ...”

“... ask students to read Tacitus, Herodotus, Max Weber, Karl Marx, Michel Foucault, Antonio Gramsci, Jacques Derrida and, more rarely, Judith Butler. But how many are also required to read Audre Lorde, Stuart Hall, Frantz Fanon, Jasbir Puar, Sara Ahmed, Kim TallBear or Kimberlé Crenshaw? What if these writers were required reading for everyone? Present ...”

“... memoirs by John Stuart Mill and R.G. Collingwood, confessions by St Augustine and Jean-Jacques Rousseau – autobiography is not a genre that comes naturally to most philosophers. The typical modern philosopher – the Kant of the three critiques, say, or the Wittgenstein of the Tractatus – seeks perfection in the composition of systematic ...”

“... one way or another in the new movements: three bottled-at-the-place-of-origin Deconstructionists (Jacques Derrida, Barbara Johnson, J. Hillis Miller) and one sympathiser (Geoffrey Hartman), two politically-minded oppositional critics (Edward Said, Frank Lentricchia) and two unclassifiable individualists (Harold Bloom, Frank Kermode). The ninth ...”

“... and the Question of History, with its three editors, and 11 contributors, goes under the sign of Jacques Derrida. The differences implicit in these two contemporary works which both deal broadly with ‘the question of history’ are very revealing. For White gives generous and full consideration to historical theorists whose concerns impinge upon his ...”

“... Geoffrey Hartman, say that by the standards of the time this was pretty lukewarm anti-semitism. Jacques Derrida – a Jew and a close friend of de Man’s – finds it inexcusable, but demands that it be dealt with justly. He repeats that the article deeply wounded him, but discovers in it some redeeming qualities: for example, ‘to condemn “vulgar ...”

“... lectures on the question, originally given in January 1996 and published as De l’hospitalité, Jacques Derrida focused on the unavoidable ‘dilemma between, on the one hand, unconditional hospitality that dispenses with law, duty, or even politics, and, on the other, hospitality circumscribed by law and duty’. The abstract ideal of universal ...”

“... Thomas Aquinas, is closer to us than we are to ourselves. This ‘Thing’, as the psychoanalyst Jacques Lacan calls it, with horror movies archly in mind, is otherwise known as the Real, in the Lacanian Holy Trinity of the Real, the Imaginary and the Symbolic. It is also the chief protagonist of the work of the Slovenian philosopher Slavoj Zizek, who by ...”

“... at his home institution in the so-called École de Yale. In 1979, Harold Bloom, Paul de Man, Jacques Derrida, Geoffrey Hartman and J. Hillis Miller, all at the time Yale colleagues, put together a kind of manifesto entitled Deconstruction and Criticism. There were certain affinities among the five but the differences were more striking. On one ...”

“... today they tend towards that of the post-structuralist academy. The (translated) writings of Jacques Derrida have spawned their own architectural sub-literature and are even responsible for a few buildings erected by his followers Peter Eisenman and Bernard Tschumi, gurus of the mercifully short-lived ‘deconstructivist’ movement. But ...”

“... There are many possible ways to describe Derrida’s text, none of them adequate but some less misleading than others. One can begin on safe ground, surely, by saying that Signsponge is ‘about’ the French writer Francis Ponge; that it involves a sustained and intricate meditation on the status of proper names and signatures in general; that it takes up themes from Derrida’s previous writing, notably from Limited Inc, his exchange with John Searle on the topic (supposedly) of speech-act philosophy; and that Signsponge is perhaps his most extravagant text to date, judged by all the normal, reputable standards of literary-critical practice ...”

“... take seriously the ways of distinguishing between science, philosophy and art which Heidegger and Derrida criticise. Nowadays both men look like eccentrics, an impression they do their best to encourage. Their writings are filled with explanations of how very marginal, how very different and unlike all other philosophers they are. But in time they will be ...”

“... of linguistic change. The issue is a large one: of what, after years of letting the arguments of Jacques Derrida sink fully in, we now know as phonocentrism. Phonocentric is what we almost all of us are but none of us should be, according to Derrida: we look on the written language simply as the representation of the ...”

“... hiéroglyphiste’ or ‘the hieroglyphist prejudice’. The phrase was quickly borrowed by Jacques Derrida in his review of the volume, which formed one of the chapters in Of Grammatology. This prejudice, he argued, produced an aveuglement intéressé, a ‘blindness with intent’. In the first place this meant that a beautiful representation of ...”

“... is, for instance, pretty suicidal for embattled minorities to embrace Michel Foucault, let alone Jacques Derrida. The minority view was always that power could be undermined by truth: that it was unjustly distributed, that its holders wanted this overlooked and purchased all sorts of intellectual disguises for the purpose, that it would be an uphill ...”