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Feral Children

Michael Morgan, 21 May 1981

The Forbidden Experiment 
by Roger Shattuck.
Secker, 220 pp., £6.95, August 1980, 0 436 45875 6
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... Victor is well-known. His own account was translated with an informative introduction in 1962. Harlan Lane’s The Wild Boy of Aveyron (1975) brilliantly covers the intellectual background of the story and the contemporary history. Lane unearthed much original material, including the report of the psychiatrist Pinel ...

Gabble, Twitter and Hoot

Ian Hacking: Language, deafness and the senses, 1 July 1999

I See a Voice: A Philosophical History of Language, Deafness and the Senses 
by Jonathan Rée.
HarperCollins, 399 pp., £19.99, January 1999, 0 00 255793 2
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... Much of this story is told in other places, not only by Oliver Sacks, but, more extensively, by Harlan Lane, a noted deaf activist. Lane was a dedicated spokesman for a cause, however; and Sacks was taking the part of the deaf at Gallaudet University, a bastion of signing. Rée’s history is perhaps more telling ...

Signing

Ian Hacking, 5 April 1990

Seeing Voices: A Journey into the World of the Deaf 
by Oliver Sacks.
Picador, 186 pp., £12.95, January 1990, 0 330 31161 1
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When the mind hears: A History of the Deaf 
by Harlan Lane.
Penguin, 537 pp., £6.99, August 1988, 0 14 022834 9
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Deafness: A Personal Account 
by David Wright.
Faber, 202 pp., £4.99, January 1990, 0 571 14195 1
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... ideas and institutions that is not yet written, although the materials are wonderfully set out in Harlan Lane’s polemical, immensely informative, brilliantly imaginative When the mind hears. The Enlightenment generated individual teachers of the deaf, and the inevitable 17th-century books on method. These are truly philosophical works, many with ...

My Old, Sweet, Darling Mob

Iain Sinclair: Michael Moorcock, 30 November 2000

King of the City 
by Michael Moorcock.
Scribner, 421 pp., £9.99, May 2000, 0 684 86140 2
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Mother London 
by Michael Moorcock.
Scribner, 496 pp., £6.99, May 2000, 0 684 86141 0
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... The Satanic Verses. One strand in Salman Rushdie’s novel, necessarily under-discussed, was Brick Lane-based, a Bollywood dérive through the territory where I came across Moorcock’s King of the City poster. Both authors have moved on. Rushdie, seduced by the high-definition celebrity culture of New York, new smells, brighter lights, has denounced ...

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